The Centre d'Art Contemporain Genève presents Overmorrow’s Library, a podcast series by Federico Campagna, available on the 5th floor (digital extension): https://5e.centre.ch/en/ The library for ‘the day after tomorrow’ is dedicated to books and authors whose work explores the limits of the ‘world’ as the frame of sense through which our consciousness experiences the chaos of reality. Each new episode presents a book that engages with the challenge of world-making, with the end-time of a wo ...
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S2E17 – Arturo Campagna on history for children
17:45
17:45
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17:45Image: The Rock Nobody Could Lft, etching by Rain Wu (2018)By Centre d'Art Contemporain Genève, Federico Campagna
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S2E16 – Nicolas Jaar on sound and silence
32:37
32:37
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32:37Image credit: Ceramic figurine from the Moche culture of the north coast of Peru depicting a flute player.By Nicolas Jaar, Centre d'Art Contemporain Genève, Federico Campagna
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Image credit: The prophets Elias and Khadir at the fountain of life, late 15th century. Folio from a khamsa (quintet) by Nizami (d. 1209); Timurid period. Opaque watercolor and silver on paper. Herat, Afghanistan.By Centre d'Art Contemporain Genève, federico campagna
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S2E14 – Manlio Poltronieri on the Buddhist Dharma and the West
21:22
21:22
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21:22Image credit: Womb Realm (garbhakosa-dhatu or taizōkai) mandala. Shingon tantric buddhist school, Heian period (794-1185), Tō-ji, Kyōto, Japan.By Manlio Poltronieri, Federico Campagna, Centre d'Art Contemporain Genève
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S2E13 – Ananda K. Coomaraswamy, ‘The Christian and Oriental Philosophy of Art’
24:32
24:32
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24:32Image credit: 10th century Chola dynasty bronze sculpture of Shiva, the Lord of the Dance.By Ananda K. Coomaraswamy, Federico Campagna, Centre d'Art Contemporain Genève
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S2E12 – Prof. Saul Newman on political theology
29:22
29:22
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29:22Image credit: Detail from the frontispiece of Hobbes’ ‘Leviathan’ by Abraham Bosse,1651By Saul Newman, Centre d'Art Contemporain Genève, Federico Campagna
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S2E11 – Max Stirner, ‘The Ego and Its Own’, Étienne de La Boétie, ‘Discourse on Voluntary Servitude’
31:35
31:35
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31:35Image credit: Max Stirner in a cartoon by Friedrich Engels (1820-1895)By Federico Campagna, Centre d'Art Contemporain Genève
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S2E10 – Dr. Francesco Strocchi on life in the late Roman republic
28:18
28:18
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28:18Image credit: Roman coin celebrating the assassination of Julius Caesar, issued in 42 BCBy Francesco Strocchi, Federico Campagna, Centre d'Art Contemporain Genève
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S2E9 – Rutilius Namatiuanus, ‘On His Return’, and Paulinus of Pella, ‘Thanksgiving’
25:00
25:00
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25:00Image credit: Porphyry column decorated with group of two embracing older Tetrarchs. Rome. 293-305.By Paulinus of Pella, Rutilius Namatianus, Federico Campagna, Centre d'Art Contemporain Genève
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S2E8 – Lucia Pietroiusti on analogical thinking
43:40
43:40
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43:40Image credits: Geometric nest of a pufferfish.By Lucia Pietroiusti, Centre d'Art Contemporain Genève, Federico Campagna
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Image credit: Ernst Jünger and Albert Hoffman.By Ernst Jünger, Centre d'Art Contemporain Genève, Federico Campagna
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S2E6 – Prof. Giulio Busi on Jewish mysticism
27:17
27:17
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27:17Image credit: Cosmic Rose Engraving from Amphitheatrum Sapientiae Aeternae by Heinrich Khunrath (1595).By Federico Campagna, Giulio Busi, Centre d'Art Contemporain Genève
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S2E5 – Giulio Busi, ‘Heavenly Palaces in Judaism’, and Abraham Joshua Heschel, ‘The Sabbath’
23:41
23:41
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23:41Image credit: Throne AngelsBy Giulio Busi, Federico Campagna
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S2E4 – Huw Lemmey and Isabel Valley on psychiatry and unknown languages
36:03
36:03
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36:03Image credit: Antidotum tarantulae, a curative musical score from Athanasius Kircher (c. 1660).By Huw Lemmey, Isabel Valley, Federico Campagna
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S2E3 – Álvar Núñez Cabeza de Vaca, ‘Shipwrecks’
20:11
20:11
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20:11Image credit: Francesco Guardi, Marina in Tempesta, circa 1765/70.By Federico Campagna
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S2E2 – Dr. Beatrice Bottomley on Ibn Arabi
25:04
25:04
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25:04Image credit: Muhammad Ibn 'Ali Ibn Muhammad Ibn 'Arabi (D. 1240 Ad): Fusus Al-Hikam. Mamluk Egypt, dated 19 Dhu'l Hijja Ah 797/4 October 1395 AD.By Federico Campagna, Beatrice Bottomley
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Image credit: Portrait of Giovanni Pico della Mirandola, by Tobias Stimmer, 1589By Federico Campagna
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S1E18 – Francesco Fusaro on musical cosmologies
1:01:50
1:01:50
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1:01:50Musicologist and producer Francesco Fusaro discusses world-building music across the centuries. Credit: Francesco Fusaro, Tafelmusik Var. I, 2021. Collage, 65x92. Courtesy of the artist.By Francesco Fusaro, Centre d'Art Contemporain Genève, Federico Campagna
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S1E17 – Arturo Campagna on children's literature
19:47
19:47
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19:476-years old Arturo Campagna discusses children’s literature and dispenses advice to writers for children. Image credits: Rain Wu, Arion, 2019. Stoneware clay and glazes, 9x11cm. Courtesy of the artist.By Federico Campagna, Centre d'Art Contemporain Genève
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S1E16 – Elemire Zolla, "Children's Awe" and Cristina Campo, "The Flute and the Rug"
19:35
19:35
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19:35Federico Campagna presents the philosophical take on children’s world-view and culture in Elemire Zolla’s 1994 “Children’s Awe” and Cristina Campo’s 1971 “The Flute and the Rug”. Image credits: Ivan Bilibin, Stage-set design for Scene Two, Act Four of the opera the "Tale of the Lost City of Kitezh and the Maiden Fevronia" by Rimsky-Korsakov, 1929.…
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S1E15 – Fr. Paul Butler on radical theology
23:56
23:56
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23:56Liberation theologian Father Paul Butler discusses the radical interpretations of the Christian message. Image credits: The oldest surviving depiction of Saint Francis, Benedictine abbey of Subiaco, painted between March 1228 and March 1229.By Federico Campagna, Centre d'Art Contemporain Genève
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S1E14 – Pavel Florenksy, "Reversed Perspective"
26:44
26:44
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26:44Federico Campagna presents Russian theologian (and mathematician, engineer and philosopher) Pavel Florensky’s 1920 essay “Reversed Perspective” and his interpretation of the language of sacred forms. Image credits: Andrey Rublev, The Trinity or The Hospitality of Abraham, 1411-1427.By Federico Campagna, Centre d'Art Contemporain Genève
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S1E13 – Sarah Shin and Ben Vickers on otherworldly imagination
25:56
25:56
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25:56Ignota publishers Sarah Shin and Ben Vickers discuss their ongoing cultural work on the “techniques of awakening”. Image credits: Hildegard von Bingen, God, Cosmos, and Humanity, 1165.By Federico Campagna, Sarah Shin, Centre d'Art Contemporain Genève, Ben Vickers
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Federico Campagna presents Russel Hoban’s 1980 science-fiction masterpiece “Riddley Walker” and the problem of post-future life and culture. Image credits: Punch with the Judge and the Hangman, 1870. Litograph.By Russel Hoban, Federico Campagna, Centre d'Art Contemporain Genève
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S1E11 – Tom Cheetham on Henry Corbin and James Hillman
26:05
26:05
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26:05American philosopher Tom Cheetham discusses the parallels between Henry Corbin and Jungian psychoanalyst James Hillman, looking in particular at the practice of “Creative Imagination”. Image credits: Elijah and Khidr praying together, XI century. Illuminated manuscript version of Stories of the Prophets.…
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S1E10 – Henry Corbin, "History of Islamic Philosophy"
26:19
26:19
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26:19Federico Campagna presents Henry Corbin’s 1964 “History of Islamic Philosophy” and his esoteric interpretation of philosophy and of religion. Image credits: Sultan Mohammed, The Miraj of the Prophet, 1539-1543. Opaque watercolor and ink on paper.By Federico Campagna, Centre d'Art Contemporain Genève
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S1E9 – Bill Sherman on Frances Yates and Aby Warburg
26:52
26:52
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26:52Bill Sherman, director of the Warburg Institute, discusses the work of Frances Yates and Aby Warburg’s library. Image credits: Aby Warburg, Der Bilderatlas Mnemosyne, 2020. Exhibition view. Courtesy of Silke Briel / HKWBy federico campagna, Bill Sherman
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S1E8 – Frances Yates, "The Art of Memory"
21:50
21:50
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21:50Federico Campagna looks at Frances Yates’ work on the philosophy of mnemotechnics in her 1966 book “The Art of Memory”. Image Credits: Giulio Camillo, Memory Theatre, 1510.By Centre d'Art Contemporain Genève, federico campagna
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S1E7 – Stefano Gualeni on how to philosophize with a digital hammer
27:09
27:09
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27:09Stefano Gualeni presents his philosophical take on digital worlds and virtual subjectivity. Image Credits: ‘Here’, video game by Stefano Gualeni. 2018.By stefano gualeni, federico campagna
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S1E6 – Stefano Gualeni, "Virtual Worlds as Philosophical Tools"
23:14
23:14
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23:14Federico Campagna looks at Stefano Gualeni’s books “Virtual Worlds as Philosophical Tools” (2015) and “Virtual Existentialism” (2020) and at the cosmogonic function of play. Image credits: The Royal Game of Ur, 2600BC-2400BC. Wood game-board. © The Trustees of the British MuseumBy stefano gualeni, federico campagna
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S1E5 – Julia Gale on Simone Weil’s life and mysticism
18:27
18:27
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18:27Playwright Julia Gale discusses her personal and theatrical interpretation of Simone Weil’s life and thought. Photo: Simone WeilBy Julia Gale, Federico Campagna
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S1E4 – Simone Weil, "The Iliad or the Poem of Force
25:22
25:22
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25:22Federico Campagna presents Simone Weil’s 1939 essay "The Iliad or the Poem of Force" in the context of her mystical existentialist philosophy. Image credits: Virgilius Solis, The Suicide of Ajax , 1563.By Federico Campagna
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S1E3 – Franco Berardi Bifo on the contemporary psychosphere
28:39
28:39
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28:39Franco Berardi Bifo discusses his book “The Third Unconscious” and the state of the contemporary psychosphere. Image credits: Franco Berardi ‘Bifo’, L’apocalisse (quadro primo), 2020. Courtesy of the artist.By Franco Berardi Bifo, Federico Campagna
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S1E2 – Franco Berardi Bifo, "The Third Unconscious"
21:17
21:17
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21:17Federico Campagna presents Bifo’s 2021 book “The Third Unconscious” in the context of the decades-long work of the Italian Autonomist philosopher. Image credit: Jean Frédéric Schnyder, Dritchi IV, 1985. Courtesy de Kunstmuseum Bern, Toni Gerber Collection.By Federico Campagna
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Federico Campagna introduces the “Library for the Day After Tomorrow”. A podcast series on worlding, worlds, apocalypses, apocatastases and post-future culture. Image credits: The Gilgamesh Tablet (Library of Ashurbanipal), 7th c. BCE. The British Museum, London. © The Trustees of the British Museum.…
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