We pick one musical theater song, and then we pick it apart to figure out how it works in the context of the show. How do the music, lyrics, character, and story all flow from one amazing song to become something more than the sum of its parts? Host writer/composer David Rackoff does his best to explain it all.
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Let's start about 2/3 of the way through. No, not there. Let's start at the very beginning! A very good place to start. Host writer/composer David Rackoff looks at this very impressive song from Rodgers & Hammerstein. These would be some tough lyrics to write. And what is "do re mi" anyway? And what is a non-rhotic accent, and why does it make the …
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(Not) Getting Married Today (from Company)
28:54
28:54
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28:54Pardon me, is everybody here, because if everybody's here I'd like to thank you all for clicking on this podcast. Today, host writer/composer David Rackoff looks at how "Getting Married Today" by Stephen Sondheim works. And boy, does it work (and "werk")! How do you go about writing a great patter song? We even get "David's tips for performing a pa…
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Learn to Read Music in Five Minutes... Kind of (mini episode)
15:48
15:48
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15:48Actors and singers, today you will learn to read music in five minutes! (Okay, not five minutes, and not totally learn to read music). But writer/composer David Rackoff will give you a foothold in connecting the song you're going to sing to the sheet music with all the dots and lines that you're holding in your hands. It's a place to start. If you …
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One of the best songs in any genre in the history of the world ever. Host writer/composer David Rackoff uncovers what makes this song so spectacular. You will have heebie-jeebies for Beebe's Bathysphere. (And you'll find out what all of the crazy references mean!) Stephen Sondheim outdoes himself on this powerful showstopper. Suggest a song to brea…
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Music or Lyrics: Which Comes First? (mini-episode)
18:36
18:36
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18:36Get into the nuts and bolts of songwriting with host writer/composer David Rackoff. We look at why songwriters would choose to write the music first. Or why they would choose to write the lyrics first. What are the pros and cons of each approach? And what happens then? How does the sausage get made? Suggest a song to break down, or just let us know…
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Over at the Frankenstein Place (from The Rocky Horror Show)
18:08
18:08
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18:08I'm sure you shiver with anticip-- SAY IT! --pation for today's episode. We look at the music, lyrics, and extravagant weirdness of this song, and this show. Host writer/composer David Rackoff also looks at the cultural significance of The Rocky Horror Show. And why does this song beckon to queer high school theater kids so strongly? Get your rice …
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Laurie Beechman: A Songwriter's Favorite Singer
18:12
18:12
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18:12This week, writer/composer David Rackoff looks at the amazing Laurie Beechman, and what makes her voice and storytelling so special. If you don't know who she is yet... you're welcome. And if you know, well, then you know. She shone on stage in "Annie", "Joseph and the Amazing Technicolor Dreamcoat," Cats", "Les Misérables", in solo cabaret shows, …
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Host writer/composer David Rackoff explains why "Burn" from Lin-Manuel Miranda's "Hamilton" is actually a happy song. (What?!) We break down the music, lyrics, and performance of what is the "end of Act I" of Act II of "Hamilton" song. We look at how simple building blocks can create a powerful, cathartic, gorgeous theatrical piece. Suggest a song …
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What's more important than a perfect rhyme? A perfect scan. Every stress in the lyrics must fit with the stresses in the music. This is why (good) musical theater writers stress about stresses. Host writer/composer David Rackoff looks at what that means, how it works, and what it sounds like when it doesn't work. Examples (some good, some not-so-go…
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Hasa Diga Eebowai (from The Book of Mormon)
27:50
27:50
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27:50Does it mean, "No worries for the rest of your days"? Kind of... This is one of the most shocking, funniest, and perhaps deepest songs in all of musical theater. The makers of "South Park" have created this delightful bit of blasphemy. Host writer/composer David Rackoff takes a close look at the music, lyrics, and context of this song. And we discu…
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You think you know what a rhyme is... But do you really? in this first mini-pod, we look at what is (and, more interestingly) what isn't a rhyme. Then host writer/composer David Rackoff plays a game where you have a moment to decide if a particular rhyme is really a rhyme! Suggest a song to break down, or just let us know what's on your mind.…
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Part of Your World (from The Little Mermaid)
27:16
27:16
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27:16Is this the best “I Want” song of all time? Host writer/composer David Rackoff dives deep (sorry) into this fantastic Alan Menkin & Howard Ashman creation. The craftsmanship of this emotional, funny, charming song is quite a remarkable… what’s the word? Oh yeah. Feat. Suggest a song to break down, or just let us know what's on your mind.…
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In our season 1 finale, writer/composer David Rackoff tackles what may be the grandest achievement in musical theater songwriting. "Rose's Turn" is a mad scene, an aria, a showcase for the best musical theater actresses of all time. Stephen Sondheim, Jule Styne, and Jerome Robbins created this monster of a song, and we get to dig into it to figure …
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How does a song get written? This is a fascinating episode where writer/composer David Rackoff breaks down his process in writing the song “Sing Along” from the musical “Nothing Like Broadway”. This is a fun, surprising episode where you get to really see how the sausage gets made. Suggest a song to break down, or just let us know what's on your mi…
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One of the great Act I enders of all time, no question. But… are the things sung about all really happening “One Day More”? The answer may surprise you! Host writer/composer David Rackoff picks apart the music, lyrics, and storytelling that make “One Day More” so freakin' awesome. Suggest a song to break down, or just let us know what's on your min…
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We've all got Oz fever, so this week, writer/composer David Rackoff analyzes "Popular" from the musical "Wicked" by Stephen Schwartz. Why is the hook so catchy? Why are the lyrics so mind-blowing? How does this song help to tell the story of "Wicked"? What is enjambment? Were sopranos funny prior to 2003? How about the Kristin Chenoweth of it all? …
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Stars and the Moon (from Songs for a New World)
27:00
27:00
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27:00Is this the ultimate cabaret song? Host writer/composer David Rackoff dives deep into one of his (and every songwriter's) favorite cabaret songs. Jason Robert Brown's gorgeous, diabolically manipulative "Stars and the Moon" is so much fun to watch, perform, and analyze. Suggest a song to break down, or just let us know what's on your mind.…
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The World's Most Famous Spy (from Nothing Like Broadway!)
36:54
36:54
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36:54Today, we get to peek inside the process of writing a patter/comedy song! Host David Rackoff looks at his own song, "The World's Most Famous Spy", to see how he came up with the concept, and how he wrote the music and lyrics to this song from the upcoming off-Broadway musical "Nothing Like Broadway!". It's James Bond meets Gilbert & Sullivan meets …
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76 Trombones and Goodnight My Someone (from The Music Man)
19:28
19:28
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19:28Writer/composer David Rackoff delves into "Seventy-Six Trombones" and "Goodnight My Someone" from "The Music Man". Two great, unrelated songs. Or are they? These songs have more in common than you might think! It's a fast, fun episode this week, full of romance, bombast, and mystery! Suggest a song to break down, or just let us know what's on your …
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One of my favorite numbers, one of your favorite numbers, one of everyone's favorite numbers: "You Gotta Get a Gimmick"! We'll talk about how writers "song-spot" to figure out where and what a song will be. And once you figure out that it's going to be an 11 O'Clock number with bargain-basement strippers, you have already won. Host writer/composer …
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Send in the Clowns (from A Little Night Music)
21:11
21:11
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21:11Sondheim's biggest pop hit! But how does it work? And how does it work in the context of the show? Why is this an exercise in negative space? Is it about sex or love? Send in the clowns? Don't bother, writer/composer David Rackoff is here. Suggest a song to break down, or just let us know what's on your mind.…
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It’s the best song you’ve (maybe) never heard of! This week, writer/composer David Rackoff dives deep into “Meadowlark” by writer/composer Stephen Schwartz (Wicked). You’ll see why this song is the song that musical theater songwriters (including David) lose their freakin’ minds over. Suggest a song to break down, or just let us know what's on your…
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Somewhere That's Green (from Little Shop of Horrors)
33:12
33:12
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33:12A song that pretty much everyone falls in love with. Writer/composer David Rackoff looks at why that is, and how this song unlocks the secret to why this tiny off-off-Broadway show is remembered and revived forty years later. All hail Howard Ashman! Suggest a song to break down, or just let us know what's on your mind.…
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Who knew that this hilarious, silly song would yield our longest, most in-depth analysis so far! "Keep It Gay" has to be one of the funniest songs from one of the funniest shows ("The Producers") of all time. Yay Mel Brooks! This episode of the podcast is very pretty. This episode is very witty. This episode is… what’s the word? (Gay?) Exactly. Sug…
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Finishing the Hat (from Sunday in the Park with George)
18:49
18:49
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18:49Today, host writer/composer David Rackoff has producer Zane Michael on the podcast to discuss "Finishing the Hat" from "Sunday in the Park with George" by Stephen Sondheim. They disagree, David shocks Zane with a riseque metaphor for the score of the show. Suggest a song to break down, or just let us know what's on your mind.…
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Nothing Like Broadway (from Nothing Like Broadway!)
26:09
26:09
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26:09Today, we really get to peer inside the creative process! It's an exciting episode when host writer/composer David Rackoff looks at the title song from a musical he wrote! Nothing Like Broadway the podcast looks at Nothing Like Broadway the song from Nothing Like Broadway the musical. Suggest a song to break down, or just let us know what's on your…
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Host writer/composer David Rackoff takes a deep dive into "Tradition". Why is this the opening number? How do you get four groups to sing things at the same time and have it sound good? And what is the big mystery that the (only) rhyme in this song unlocks? Suggest a song to break down, or just let us know what's on your mind.…
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Everything's Coming Up Roses (from Gypsy)
24:26
24:26
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24:26Writer/composer David Rackoff (of "Nothing Like Broadway!: the musical") takes a close look at a song he used to hate, "Everything's Coming Up Roses" by Jule Styne and Stephen Sondheim. He looks at how its music, lyrics, and context make it one of the most devastating songs in musical theater. "It's like watching a horror movie!". Suggest a song to…
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We take a look at this incredibly challenging song. From the highest notes (ever?), to the Ben Platt of it all. (Please note that this episode discusses Dear Evan Hansen, which includes mentions of characters harming themselves.) Suggest a song to break down, or just let us know what's on your mind.By David Rackoff
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Writer/composer David Rackoff breaks down "I Cain't Say No" from "Oklahoma!". It's a super-fun, randy, well-written song from arguably the first modern musical. Suggest a song to break down, or just let us know what's on your mind.By David Rackoff
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This week, writer/composer David Rackoff picks apart what makes this prettiest-of-pretty songs work. From "Les Miserables", of course, this song's music, lyrics, and reason for being are really fun to explore! Suggest a song to break down, or just let us know what's on your mind.By David Rackoff
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The Miller's Son (from A Little Night Music)
20:03
20:03
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20:03Host writer/composer David Rackoff discusses one of his favorite songs: "The Miller's Son" from A Little Night Music by Stephen Sondheim. Suggest a song to break down, or just let us know what's on your mind.By David Rackoff
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