Ralph Steadman is an English artist and illustrator best known for his long collaboration with the iconoclastic Hunter S. Thompson, notably illustrating "Fear and Loathing in Las Vegas." Their partnership helped define “Gonzo” journalism. On this episode we catch up with Ralph, who turns 89 next month, and his daughter, Sadie, to discuss a career s…

When Japan opened its borders for trade and travel in the 1850s, the goods that hit markets across Europe and America sparked an international craze known as “Japonisme.” On this episode we explore the history, legacy, and a new exhibition on this era with Rachel Keith, Deputy Director for Audience Engagement & Curatorial Affairs at Philbrook Museu…

Museum staff titles are often lengthy, so “Creative Director” seems pretty straightforward. But what exactly does it mean? And what exactly do they do? Bhadri Verduzco holds this position at Philbrook, so on this episode we go straight to the source.By Philbrook Museum of Art

Why are museums built the way they are? Why do we hang art at that height? If a disabled artist makes art, is it necessarily Disability Art? Who gets to decide? On this episode we explore these questions and more with “Crip Curator” and acclaimed author Amanda Cachia.By Philbrook Museum of Art

As Season 9 resumes, we travel to New Jersey’s Montclair Art Museum to experience the Museum’s stunning new installation, Interwoven Power: Native Knowledge / Native Art and a chat with Laura Allen, the acclaimed curator behind the long-gestating project. Featuring artists including Shan Goshorn, Fritz Scholder, Holly Wilson, Oscar Howe, Rose Simps…

While our midseason break here at MC continues, we would like to introduce our beloved listeners (that would be you) to something special. It's a podcast called Immaterial: 5,000 Years of Art, One Material at a Time; it's produced by our pals over at The Metropolitan Museum of Art in New York. We dig it. You will, too. For more episodes, or more in…

Four years ago, deep in the pandemic, we travelled to Frank Lloyd Wright’s Arizona compound, Taliesin West, to see how they were weathering the unprecedented challenges. We just went back to see what was learned and what remains with Niki Stewart, Chief Learning and Engagement Officer for the Frank Lloyd Wright Foundation.…

A dispatch from the Phoenix Art Museum where we recently traveled to speak with acclaimed conceptual artist, Charles Gaines prior to the opening of a new retrospective. Charles Gaines: 1992–2023 runs through March 9, 2025.By Philbrook Museum of Art

This special episode of MC was recently taped before a live audience at Philbrook Museum of Art. Our host Jeff Martin is joined by on stage by interdisciplinary artist Cannupa Hanska Luger, Brooklyn Museum curator Kimberli Gant, and Philbrook Chief Curator Kate Green. They speak in detail about why and how today's museums are diversifying (or attem…

What makes American art "American"? Let's discuss. On this episode we welcome back Philbrook curator, Susan Green to chat about the new exhibition, "American Artists, American Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976." It's a sweeping, varied exhibition offering more than 100 masterworks -- by Mary Cassatt, Barkley L. Hendr…

On recent trip to Washington, D.C. we stopped by the National Gallery of Art to chat with curator Kanitra Fletcher about a new show she was preparing to debut, the first show dedicated to Haitian art in the history of the institution. As with most things in life, timing is everything. Spirit & Strength: Modern Art from Haiti opens September 29 and …

On our Season 9 debut we talk with Stephen Reily, attorney, entrepreneur, and former Director of Louisville’s Speed Art Museum about REMUSEUM, his ambitious new project to reimagine what museums can be.By Philbrook Museum of Art

Psyche! We’re not actually unmasking Banksy on this episode, but we are taking a closer look at the recently-opened museum in New York City dedicated to the famously anonymous street artist/activist. William Meade is the Executive Director of the Banksy Museum in Manhattan and we have no idea if he knows Banksy’s true identity. For all we know he c…

On the final installment of our ART FAIR DIARIES trilogy, Philbrook Chief Curator and roving MC correspondent, Kate Green takes us to the land of John Hughes movies and deep-dish pizza. Welcome to EXPO CHICAGO.By Philbrook Museum of Art

Acclaimed artist Chris Ramsay’s work deals with big, universal subjects: time, space, impermanence, what we discard, and what we choose to keep. Now, after receiving an incurable cancer diagnosis, Chris is confronting the biggest questions of all.By Philbrook Museum of Art

For this new installment in our Art Fair Diaries series, Philbrook Chief Curator (and occasional roving Museum Confidential correspondent) Kate Green reports from the biggest art fair in one of the world's biggest cities. Welcome to Mexico City.By Philbrook Museum of Art

Our guest is curator Allison Glenn; we previously spoke to Glenn a few years ago about her Breonna Taylor-inspired show, "Promise, Witness, Remembrance." Now Glenn is curating a multi-venue, multi-day, multi-focused convening titled Sovereign Futures, which runs April 4th through the 7th. Per the Sovereign Futures website, various "artist-led proje…

Our guest is acclaimed journalist Bianca Bosker, who tells us that -- when it comes to which topics she chooses to investigate and cover -- she's "obsessed with obsession." Bosker's latest book is "Get the Picture: A Mind-Bending Journey among the Inspired Artists and Obsessive Art Fiends Who Taught Me How to See." She was a security guard at the G…

A recent headline in The New York Times read: To Save Museums, Treat Them Like Highways. There’s no shortage of conversations about museum funding models. But after reading this one, arguing that museums should be thought of more like infrastructure, it was time for another. On this episode we speak to one of the piece’s co-writers, Laura Raicovich…

The Nevada Museum of Art invited us out for a live show in Reno with acclaimed indigenous artist Cannupa Hanska Luger. Futurism and speculative fiction are just two of many terms that describe Luger’s unforgettable work and the special exhibition, SPEECHLESS. On this episode we chat with Luger and Apsara DiQuinzio, the Museum’s Senior Curator of Co…

Martin Scorsese’s Killers of the Flower Moon just nabbed ten Oscar nominations, including one for Costume Design. But how do you authentically take people back to the Osage Nation of the 1920’s? How do you get every detail just right? Meet Julie O’Keefe, the Osage Nation wardrobe consultant hired to do just that.…

On our first episode of 2024, we chat with the co-directors of an acclaimed new PBS American Masters documentary on legendary New York painter, Edward Hopper. “Hopper: An American Love Story” has it all; lonely people in rooms, quiet city streets, difficult relationships, and plenty of secrets revealed.…

Art Basel Miami Beach, the biggest international modern/contemporary art fair in North America, took place earlier this month; thousands of art dealers, artists, collectors, curators, and art aficionados showed up. Kate Green, the Chief Curator & Nancy E. Meinig Curator of Modern & Contemporary Art at Philbrook Museum of Art, was among those attend…

You probably know Sharon Stone the actress. It’s time you get to know Sharon Stone the ARTIST. Over the past few years, the Oscar nominee has turned painting into a dedicated daily practice. On this episode we talk about inspiration, early museum experiences, a new exhibition, and so much more.By Philbrook Museum of Art

We travel to Pittsburgh’s Miller Institute of Contemporary Art (Carnegie Mellon University) for the special exhibition, IMPOSSIBLE MUSIC, a fascinating collection of sounds, scores, sculptures, video, live performances, and more. First up we have a big picture chat with the ICA’s Director, Elizabeth Chodos before a deeper dive with acclaimed curato…

Every object holds a story. That’s the idea behind the thought-provoking new Philbrook exhibition, TRADE & TRANSFORMATION. Curator Kalyn Fay Barnoski (Cherokee Nation enrollee, Muscogee descent) originated and organized the exhibition. On this episode she joins us to chat about how she came to create it. Trade & Transformation is on view through De…

In 2008, a catastrophic flood shut down the art museum on the University of Iowa campus. 15 years later, the museum has finally reopened with a new building, new name (The Stanley), and a new catalog created in partnership with the legendary Iowa Writer’s Workshop. They invited us up to chat about all of it.…

From time to time we explore the question, “what is a curator?” For the past 30 years, Randall Poster has been searching for, securing rights for, and working alongside directors to find the perfect moment for music in countless films. The official job title is Music Supervisor. It could easily be called “Music Curator.” In 2023 alone, his slate in…

“We aren't constantly swimming in trauma. We're a joyful people. I want to make sure that the way we present the work is reflective of an expansive and nuanced understanding that we can hold pain but we can also hold a lot of love, joy and happiness.” — Kalyn Fay Barnoski, Philbrook Museum of Art When you’re a gatekeeper to a world that’s still unf…

“I'm really interested in curators who have done the work of healing through their deep curiosity and then are thinking about what they can curate to help others on their journey. I can't think of anything that's more worthwhile and more meaningful than extending that vulnerability of your own healing journey and trying to support others on theirs.…

Video journalist Alexandra Eaton of The New York Times joins us to share an unforgettable story that begins with a painting created in 1837 New Orleans. It depicts a well-to-do family’s three children and a Black enslaved child named Bélizaire. Decades later, Bélizaire was removed from the portrait. Experts have restored the work to its original st…

“I just love creating these really hyper specific titles where, after reading these few words, you really have an understanding of the context of the playlist itself…It's crazy how being that specific makes people so compelled to actually listen because it feels relatable.” — Kasey Gelsomino, Kasey’s Playlist You don’t have to press play to know wh…

“[Mixtapes were] the ultimate love letter because it’s like saying: ‘This is me looking at you and trying to understand where your taste lies and also imparting some of my taste. This is where we intersect.’ Maybe I can introduce you to new things while recognizing that I'm here in a context that I think you will appreciate.” — Hrishikesh Hirway, m…

“It's not like you press a button and you get to see art. You have to go there to know there…You have to be in front of it, obviously, and then you have to have a relationship with it. You have to see it again and again. And sometimes it takes years.” — Dereck Mangus, Baltimore Museum of Art In 2022, the Baltimore Museum of Art (BMA) turned over th…

“The internet demands that everyone be a kind of curator: you're a curator of your own Instagram, of your opinions on Twitter, of what playlists you listen to on Spotify. There's a lot of curation going on but it's more in the sense of selecting between stuff. Curation, to me, is a much more deep-seated act that has more to do with the caretaking o…

“Good writing is simple writing. I think that goes for the curation part, as well. I will try and strip myself from the equation as much as possible. You’re like a spider with your tentacles out everywhere, looking and pulling in things from different reader recommendations, dashboards and things you know about the company, and trying to spin it in…

“Back in the day, curation was mostly a job in museums and art galleries. It took the Spotifys, Twitters and Netflixes of the world to really popularize curation as a valid business need. I’m proud to say that we were amongst the first ones to identify the business need for that discipline.” — Robyn Kerkhof, Blinkist Curation has long moved out of …

“The problem is more to find what one wants to curate because, well, you have to find your way…[Mastodon] is a great place because you have incredible choice and a rich and creative crowd out there.” — Sabine Stoye, Mastodon art and photography curator You may have heard about a Twitter alternative called Mastodon. The service is a decentralized so…

In the new biopic, Dalíland, acclaimed director Mary Harron give us a glimpse into the Salvador Dalí’s later years in 70s New York City via the immense talents of Academy Award-winner, Sir Ben Kingsley. From her look at attempted assassin Valerie Solanas in I Shot Andy Warhol to the murderous broker Patrick Bateman in American Psycho, Harron has al…

“In the history of human culture, we've never had a time that’s been better for learning about photography. There are images everywhere, and hopefully somebody like me can help you see some of the good stuff.” — Andy Adams, FlakPhoto Projects In an era flooded with so much photography, usually without context, it’s a relief to have Andy Adams as a …

For our Season 7 finale, we travel to the Honolulu Museum of Art (HoMA) to chat with an architect and a neurologist about the intersections of art, science, and nature.By Philbrook Museum of Art

With more and more of our lives now being lived online -- and with more and more of our stuff existing only in the cloud -- how best should we preserve art...and culture...and everything else worth saving? On this go-round of Museum Confidential, we speak with Richard Rinehart, the Director of the Samek Art Gallery at Bucknell University. He's also…

On this edition of MC, we've got mad props for all the archivists and librarians in the house. The stewardship that these professionals bring to MuseumLand is as multifaceted as it is vital: caretaking, cataloging, researching, locating, documenting, preserving, updating, etc. Our guest is Saige Blanchard, the Library and Collection Information Spe…

Founded by artist Theaster Gates, the Rebuild Foundation has been transforming buildings and neighborhoods on the South Side of Chicago since 2009 with art projects, community gathering spaces, small businesses, and more. Their latest venture is a vinyl shop called Miyagi Records. On this episode we do a little crate digging with the project leader…

This episode offers a career-spanning chat with Oscar-winning cinematographer, Sir Roger Deakins, and his wife/longtime collaborator, James Deakins. Known for his collaborations with Coen brothers (Fargo), Sam Mendes (1917), and Denis Villeneuve (Blade Runner 2049), Deakins began his life in film as a still photographer. He published his first-ever…

Museums rarely allow their most beloved works to travel. But Omaha’s Joslyn Art Museum is under renovation. An opportunity arose. Now through May 28, Philbrook presents 500 years of European treasures from that acclaimed collection. Featuring paintings by the likes of Rembrandt, Monet, El Greco, Titian, and Renoir, there’s no shortage of star power…

London's Royal Academy of Arts will soon open a special exhibition titled, SOULS GROWN DEEP LIKE RIVERS: BLACK ARTISTS FROM THE AMERICAN SOUTH. Created in partnership with the Souls Grown Deep Foundation in Atlanta, the exhibit will showcase 60+ works by notable Black artists over the last century. We speak with the curator of this show, Raina Lamp…

What is the “art market?” A decade ago, Michael Findlay published “The Value of Art” to explore this very question. But the world has changed in many ways since the book’s initial release. A global pandemic, MeToo, Black Lives Matter, crypto currency, and other factors have impacted how people and institutions are buying/selling art. Michael has ju…

A work by Mississippi Choctaw/Cherokee artist Jeffrey Gibson is instantly recognizable. This is even more impressive given the variety of his output. He paints, sculpts, repurposes, re-contextualizes, creates performances, and more. On this episode we chat with Gibson about his past, his work, and a current exhibition at the Aspen Art Museum called…

A century ago, the Detroit Institute of Arts became the first U.S. museum to purchase a painting by Vincent van Gogh. Now they’re hosting America’s largest Van Gogh exhibition in a generation. On this episode we chat with DIA curator Jill Shaw about this massive undertaking.By Philbrook Museum of Art