Why has Carmen been, since 1875, one of the world’s most popular operas? Seattle Opera Dramaturg Jonathan Dean introduces this beloved masterpiece with musical examples from Seattle Opera’s archival recordings of Carmen: from 1995, with Greer Grimsley as Escamillo (conducted by Steven Sloane); from 2004, with Stephanie Blythe (Carmen) and Paul Char…

In February/March 2026 Seattle Opera premieres a new production of Fellow Travelers, an opera (based on the novel by Thomas Mallon) with music by Gregory Spears to a libretto by Greg Pierce that premiered at Cincinnati Opera in 2016. Jonathan Dean introduces this beautiful new American opera, a love story set against the historical backdrop of McCa…

Daphne, by Richard Strauss, comes to Seattle Opera for two concert performances in January 2025. This gorgeous opera, based on Greek myth, is a splendid showcase for a fantastic orchestra. Jonathan Dean explains what Strauss learned from Wagner, tells this unfamiliar opera’s story, and explores the meaning of the myth. Musical examples from the 200…

Seattle Opera presents its first-ever Gilbert & Sullivan in October 2025: The Pirates of Penzance, in a charming, traditional production that has already delighted many American opera audiences. Jonathan Dean explains the difference between opera and operetta, shares a bit of the music and humor of Pirates, and attempts to explain what The Pirates …

James Robinson, new General and Artistic Director of Seattle Opera, introduces the 2025/26 season. The Pirates of Penzance promises a musically extraordinary operatic approach to Gilbert & Sullivan; come prepared to laugh and to enjoy some familiar music as you’ve never heard it before. Daphne In Concert offers a rare opportunity to hear a lush Rom…

Seattle Opera concludes its 24/25 season in May 2025 with TOSCA, Puccini’s beloved thriller. Jonathan Dean introduces the charismatic characters, cinematic music, and wild story that have made TOSCA one of the world’s favorite operas. Musical examples from Seattle Opera archival recordings of Tosca made in 2001 (Antonello Allemandi conducts Carol V…

Mozart’s miraculous final masterpiece returns to Seattle Opera in February/March 2025. Seattle Opera Dramaturg Jonathan Dean introduces the beloved music of THE MAGIC FLUTE, with musical examples from archival Seattle Opera recordings made in 1999 (Daniel Beckwith conducts Nathan Gunn, Paul Charles Clarke, John Osborne, Philip Skinner, Ana Maria Ma…

In January 2025 Seattle Opera will present two concert performances of LES TROYENS À CARTHAGE, the second part (Acts 3, 4, & 5) of Berlioz’s monumental masterpiece LES TROYENS. Seattle Opera Dramaturg Jonathan Dean introduces the music of Berlioz and this full-length program, sharing musical examples from recordings of Georges Thill singing French …

Seattle Opera presents the world premiere of JUBILEE, a new opera celebrating spirituals. Created by Tazewell Thompson, librettist of BLUE, JUBILEE tells the story of how a group of African American singers toured America and Europe in the 1870s, using this wonderful music—America’s first great contribution to the world of music—to raise money to b…

For Summer 2024, Seattle Opera will present PAGLIACCI, by Ruggero Leoncavallo, a masterpiece of Italian opera all about lust and jealousy, passion and murder; a show about reality and artifice, comedy and tragedy, freedom and fate. (It’s not about pizza.) Seattle Opera Dramaturg Jonathan Dean introduces PAGLIACCI with musical examples from Seattle …

Figaro! Figaro! Figaro! Rossini’s cheerful comedy rounds out Seattle Opera’s season in May 2024. Seattle Opera Dramaturg Jonathan Dean introduces THE BARBER OF SEVILLE with musical examples drawn from Seattle Opera archival recordings from 1992 (conducted by Edoardo Mueller and starring John Del Carlo and Kevin Langan); 2011 (conducted by Dean Will…

Composer Anthony Davis and Conductor Kazem Abdullah discuss X: The Life and Times of Malcolm X with KING FM's Myah Rose. Coming to Seattle Opera February 24 through March 9, Davis's first opera premiered at New York City Opera in 1986. Kazem Abdullah first discovered the opera when he found a recording at the public library in Toledo, OH, where he …

Enjoy this sample-platter of music and voices from Seattle Opera’s 2024/25 season. Dramaturg Jonathan Dean and Aren Der Hacopian, Director of Artistic Administration and Planning introduce a mainstage season including Pagliacci (Aug ‘24), Jubilee (World Premiere, Oct ’24), Les Troyens à Carthage in concert (Jan ’25) The Magic Flute (Feb/Mar ’25) an…

ALCINA, opening October 14th, will be only the fourth-ever Handel opera given at Seattle Opera. General Director Christina Scheppelmann, stage director Tim Albery, and conductor Christine Brandes discuss this great opera composer, and the rebirth of interest in his work, with Dramaturg Jonathan Dean. Starting about 19 minutes in, all three share fa…

Meet the characters and explore the rich vocal history of DAS RHEINGOLD with Seattle Opera Dramaturg Jonathan Dean. With recorded music examples ranging from 1904 to 2015, Dean considers how DAS RHEINGOLD challenges its singers to feats of lyrical and heroic singing—and even listens for the dreaded “Bayreuth Bark.” Includes special examples from Se…

In June Seattle Opera presents BOUND, a one-act chamber opera (music by Huang Ruo, libretto by Bao-Long Chu). This opera features Vanessa Vo playing đàn bầu (monochord) and đàn tranh (Vietnamese zither). In this podcast, Vo demonstrates and discusses these instruments with Dramaturg Jonathan Dean. Plus, as a bonus: Vo’s performance, on the đàn bầu …

In this conversation Briq House and Moonyeka share their perspective on Seattle Opera’s La traviata. Speaking with Gabrielle Nomura Gainor, the two sex-positive artists and community leaders discuss the "fallen woman" archetype in Verdi's opera, the joy and challenges surrounding sex work—and other politics of pleasure for women and femmes–particul…

After our world-premiere performances of A THOUSAND SPLENDID SUNS in February and March, audiences stayed to discuss the show with cast, crew, and staff. Hear highlights from those post-show Q&As. In addition to audience members, voices include those of Christina Scheppelmann (General Director), Khaled Hosseini (novelist), Sheila Silver (composer),…

Seattle Opera scholar-in-residence Dr. Naomi André, explores issues of orientalism, cultural representation, and musical exoticism in opera. French composer Camille Saint-Saëns wrote his biblical epic Samson and Delilah (1877) at a time when European powers were aggressively pursuing imperial expansion. As part of the cultural project of colonialis…

In 1986 composer Anthony Davis and librettist Thulani Davis created an opera about the civil rights activist, with a story by Christopher Davis. The revised version comes to Seattle for the first time in winter/spring 2024, in a co-production shared with Detroit Opera, Opera Omaha, the Metropolitan Opera, and Lyric Opera of Chicago. Seattle Opera D…

In Fall 2023 Seattle Opera will present Handel’s ALCINA, a magical opera seria about the vagaries of love, attraction, and gender. Seattle Opera Dramaturg Jonathan Dean introduces Handel operas and ALCINA, with musical examples from recital albums by Andreas Scholl and Sarah Connolly as well as recordings of ALCINA dating from 1959 (conducted by Fe…

The introductory first opera of Wagner’s RING cycle is a unique and fascinating work in its own right: both a lively fantasy and a trenchant satirical allegory. Seattle Opera Dramaturg Jonathan Dean introduces DAS RHEINGOLD, with musical examples from previous Seattle Opera productions including 1977 (conducted by Henry Holt and starring Malcolm Ri…

Seattle Opera subscriber Dr. Chris Rebholz, a practicing Buddhist, discusses Wagner’s Tristan with Seattle Opera Dramaturg Jonathan Dean. Fascinated by Buddhism when he wrote Tristan und Isolde, Wagner created an opera all about compassion, karma, desire, enlightenment, and the difficulty of reconciling both conventional and ultimate reality (aka “…

Richard Wagner is once again making an appearance on the Seattle Opera stage, renewing questions about the controversial composer’s compatibility with contemporary social values. Wagner’s objectionable views and dominant position in the opera canon have long vexed opera lovers, prompting some to wonder what role Wagner should play for modern opera …