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The Writer's Cut: A Screenwriting Podcast

Andrea Berting and Trevor Owens

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The Writer's Cut is a movie podcast by screenwriters, for screenwriters. Each episode, we discuss a movie that won a screenplay award from the Writers Guild of America. The full list: https://boxd.it/lhVYQ The Writer's Cut is not affiliated with the Writers Guild of America.
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OnWriting: A Podcast of the WGA East

Writers Guild of America East

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OnWriting is podcast from the Writers Guild of America East. In each episode, you’ll hear from the union members who create the film, TV series, podcasts and news stories that define our culture. We’ll discuss everything from inspirations and creative process to what it takes to build a successful career in media and entertainment.
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Film & TV, The Creative Process: Acting, Directing, Writing, Cinematography, Producers, Composers, Costume Design, Talk Art & Creativity

Acting, Directing, Writing, Cinematography Producing Conversations: Creative Process Original Series

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Film & TV episodes of the popular The Creative Process podcast. We speak to actors, directors, writers, cinematographers & variety of behind the scenes creatives about their work and how they forged their creative careers. To listen to ALL arts & creativity episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts! Exploring the fascinating minds o ...
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Music & Dance: Musicians, Composers, Singers, Dancers, Choreographers, Performers Talk Art, Creativity & The Creative Process

Musicians, Composers, Performers, Dancers, Choreographers...in Conversation: Creative Process Original Series

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Music & Dance episodes of the popular The Creative Process podcast. To listen to ALL arts & creativity episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts! Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners ...
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Theatre · The Creative Process: Acting, Directing, Writing & Behind the Scenes Conversations

Acting, Directing, Writing & Behind the Scenes Conversations · Creative Process Original Series

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Theatre episodes of the popular The Creative Process podcast. We speak to performers and behind the scenes creatives. To listen to ALL arts & creativity episodes of “The Creative Process · Arts, Culture & Society”, you’ll find us on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts! Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their lif ...
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Black Work Talk

Convergence Magazine

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Black Work Talk is a show that elevates the voices of Black labor, workers, leaders, activists, and intellectuals in discussions on the connections between race, labor, capitalism and culture in the struggle for progressive governing power. On season three of Black Work Talk, new hosts Bianca Cunningham and Jamala Rogers explore the impact of 2023’s strike wave in conversations with rank and file workers from unions that have fought or are still fighting for better, more equitable contracts ...
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Where Hollywood Hides: Television | Movies | Music | Show Business | Writing | Producing | Directing | Acting

Bob McCullough & Suzanne Herrera McCullough: Hollywood Film and Television

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Bob McCullough & Suzanne Herrera McCullough, creators of www.WhereHollywoodHides.com, host this one-of-a-kind intimate behind-the-scenes podcast conversation about the best years Classic TV, movies and music. They have plenty to tell you about how they broke into Hollywood and have survived in the most exciting and challenging business in the world! Bob & Suzanne are showbiz industry veterans with more than 200 primetime television and film credits who openly share their stories from inside ...
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For nearly a year, Production Assistants, commonly called PAs, across the country have been taking steps to form a union with the Burbank-based LiUNA Local 724. Today on the podcast, WGAW member Andra Whipple is joined by LiUNA Local 724 business representative Alex Aguilar and Production Assistant and organizing committee member Clio Byrne-Gudding…
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“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to fo…
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“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civiliz…
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The Writer's Cut - Episode 38: The Defiant Ones (1958) 11th Writers Guild of America Awards - Best Written Drama - Screenplay by Harold Jacob Smith and Nedrick Young The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Me and the Colonel Ed's Note…
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“In an age of seeming isolationism, where some countries tend to isolate, this is such a great way to bring people together. When you're doing music and the arts, all those barriers just fall away. People are just collaborating and having fun. It’s such a bridge-building endeavor. I don't mean that to sound cheesy either, because I just think it is…
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How do our personal relationships affect political movements and activism? What can we learn from Native American tradition to restore ecological balance? How can transforming capitalism help address global inequality and the environmental crisis? DEAN SPADE (Author of Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell T…
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In this episode, host Kristina Woo talks with Interior Chinatown creator, showrunner, and author Charles Yu (Westworld, Legion, American Born Chinese) about adapting his National Book Award-winning novel to a limited series, his unlikely path in the entertainment industry, why inclusion & representation matters, and more.…
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“I think income inequality really greatly contributes to the rage that people might feel, even as some Americans won't. What don't recognize that a more communal society might benefit them. What they see instead is, why don't I have what that person has? Something's getting in my way. And it's not a lack of, of community, it's: somebody else is kee…
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“ I've lived in Philadelphia for about 16 years.  The book itself was inspired by my time spent in the Kensington neighborhood of Philadelphia interviewing a lot of the people that I met there, both longtime residents of the neighborhood and also people who were transient,  a lot of people struggling with addiction and a lot of women doing sex work…
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“ I've lived in Philadelphia for about 16 years.  The book itself was inspired by my time spent in the Kensington neighborhood of Philadelphia interviewing a lot of the people that I met there, both longtime residents of the neighborhood and also people who were transient,  a lot of people struggling with addiction and a lot of women doing sex work…
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The Writer's Cut - Episode 34: 12 Angry Men (1957) 10th Writers Guild of America Awards - Best Written Drama - Screenplay by Reginald Rose The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Love in the Afternoon Ed's Notes: I hope you're staying…
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"The country spoke Irish largely before it spoke English. Grammatically, the structure of Irish is different from English. As Ireland adopted the English language, this sort of hybridization started to occur, where the English language was placed on top of Irish grammatical constructions. You get this slipperiness, this ability to move sentences, t…
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 “We narrate the story of our lives to ourselves. We narrate it in linear fashion. And I know many writers have played with time in all sorts of amazing ways, but we're storytellers. This is what we do. And if you give the brain a story, a prepackaged story, you're giving a cheesecake. That's what it wants. That's why it loves stories. That's why o…
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We are privileged to present the voices of individuals dedicated to effecting change and mitigating the harm inflicted upon our precious planet. These are individuals deeply committed to the core values that drive positive transformation. Thank you for tuning in to our episodes and for your ongoing dedication to stewarding our planet, not just on E…
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The Writer's Cut - Episode 33: Friendly Persuasion (1956) 9th Writers Guild of America Awards - Best Written Drama - Screenplay by Michael Wilson The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: 12 Angry Men Ed's Notes: 1) Untitled Goose Game …
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“I'm really interested in the relation between performance and ritual. Where do those two separate?” Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labo…
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“I'm really interested in the relation between performance and ritual. Where do those two separate?” Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labo…
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“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of th…
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“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of th…
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Three Daytime Drama writers whose shows were contenders the 2025 Writers Guild Awards join us to discuss their work, how they became daytime drama writers, how the daytime format helps you avoid procrastinating, some favorite plotlines, and much more. Kate Hall is a daytime drama writer whose credits include Days of Our Lives, All My Children, Gene…
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The Writer's Cut - Episode 32: Around the World in 80 Days (1956) 9th Writers Guild of America Awards - Best Written Comedy - Screenplay by James Poe, John Farrow, and S.J. Perelman The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Friendly Per…
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“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hund…
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“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hund…
  continue reading
 
“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hund…
  continue reading
 
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