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Charlie Bleecker Podcasts

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Here’s what I learned from my conversation with Virginia DeLuca about her memoir, If You Must Go, I Wish You Triplets: -When you include your thoughts that are unkind, immature, or that you’re embarrassed to admit, it’s funny and relatable. “In the bedroom, I grab two boxes and throw in Perry's shirts, belts, ties, underwear, shorts, and pants, and…
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Here’s what I learned from my conversation with Kate Gies, author of It Must Be Beautiful To Be Finished: -The key to writing about someone you love who you’ve also been hurt by, is to write with empathy. Think about their perspective and their experience and be generous and loving when you do. -Be wary of the please-feel-bad-for-me voice -Analogie…
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Here’s what I learned from Happy To Help: Adventures of a People Pleaser by Amy Wilson: Include your fantasies. It’s especially funny if you can incorporate four levels in the build up to the punchline: First: set the scene—what’s about to happen Second: set the stakes—why is this a big deal Third: fantasy/a positive hypothetical of what’s to come …
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Memoir deep dive #21 Here’s what I learned from Here After by Amy Lin: One way to treat your audience like a genius is to not say the next obvious thing. Where can I leave out what the reader already knows is coming? One approach to this: in every paragraph I write, where can I remove the last sentence? “I stare at the blank ceiling tiles and wonde…
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Here's what I learned from Good Prose: The Art of Nonfiction by Tracy Kidder and Richard Todd: -When writing memoir, never insert present knowledge about your past if it means condemning your past self or celebrating your present self. -Avoid casual prose such as, "you know," or "bet you thought," or "ummm, hello?" This style of writing seeks insta…
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Here’s what I learned from my conversation with Sandy Schnakenburg, author of The Housekeeper's Secret: When you’re writing about a tragic or shocking event, one way to create suspense is to tease that something bad is coming. In the book she had a terrible accident on her bike, and at the beginning of the chapter a character calls out and tells he…
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Here’s what I learned from Long Live The Tribe Of Fatherless Girls by T Kira Madden: First lines should make the reader curious to read more. They can be surprising, specific, and/or present a conflict. It’s important to stay in moments longer by going deeper with details and going on tangents that add context. Write unsparingly about yourself to g…
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Here’s what I learned from Still Life At Eighty by Abigail Thomas: Revealing the dark parts of yourself in writing makes those things less scary and less powerful. Simple, clear, no-frill writing can be just as powerful and moving as fancy prose. Lean into your style, whatever it may be. Sometimes writing can just be keeping a log of your feelings …
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Here’s what I learned from My Salinger Year by Joanna Rakoff: How to write dialogue in a novelistic or cinematic way: Include details about the surrounding area. The weather, scenery, anything the characters interact with, other people in the room. This is especially useful at the start of the scene, and if/when the scene changes. When you add cont…
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I submitted a personal essay to the New York Times weekly column, Modern Love. In this episode I talk about how I learned about the column, how I decided to submit an essay under my real name, and a little context for what the essay is about. References: 39 Submission Tips for Modern Love Estelle Erasmus interviews: Noah Michelson Joanna Rakoff Abi…
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Here’s what I learned from three sobriety memoirs: The Night of the Gun by David Carr: Interview the people from your past. It doesn’t have to be formal or recorded. It could be as simple as a text message to see what they remember about the event. This can accomplish three things: It’s a way to add more details into your story. It allows the perso…
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Heres’s what I learned from Drinking: A Love Story by Caroline Knapp AND The Elements Of Eloquence by Mark Forsyth. Anaphora is when you start each phrase, sentence, or paragraph with the same word or words. But be careful: readers always remember the opening words but often forget the rest. So when using anaphora, be intentional about what you wan…
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Do you want to write under a pseudonym or not? I have been writing as Charlie Bleecker for over four years. If you want to give it a real go, commit to it for a year. Do my friends read my writing? No. Does my family read my writing? No. That is the whole point. If you care at all about growing your audience in a time span of less than 10 years, do…
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Here’s what I learned from Life On Delay by John Hendrickson: On Structure: When you open with a big event, where something big is about to happen, it creates suspense. The opening is a pivotal moment. There was life before this moment, and then there’s life after. Around ¾ of the way through the book he comes back to this moment and finishes the s…
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Here’s what I learned from How Tracy Austin Broke My Heart by David Foster Wallace: Rather than tell us how bad the memoir was, he lists eight (eight!) examples—all quotes from the book. Later, he explicitly tells us how bad TV interviews of top athletes are, then gives two very long and detailed back-to-back examples to make his point. The best me…
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Here’s what I learned from My Fair Junkie by Amy Dresner: Amy Dresner is the second memoirist I’ve read who had a life changing moment with a breathwork teacher—Glennon Doyle was the first, in Love Warrior. So I found a breathwork person near me and did it! I don’t know if it was life changing but I definitely had a moment. Character intros should …
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Here’s what I learned from In The Dream House by Carmen Maria Machado: I can write a cohesive story that is made up of little stories, all strung together with a unifying theme. When writing about moments of inebriation or vulnerability, it’s funny to include present-tense comments of your thoughts at the time, like a question you thought, or somet…
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Here's what I learned from A Life's Work by Rachel Cusk: -Sometimes your experience of something is enough, sometimes it’s all there is. You don’t have to share wisdom or lessons; you could just tell people what happened, and there's value in that. -When you include disclaimers you water down the thing you were trying to say. It takes away from the…
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Here’s what I learned from The Liars’ Club by Mary Karr: If I want to tell stories from my past that involve family members, I can ask them how they remember the same story and include their perspective by saying things like, “If I gave my big sister a paragraph here, she would correct my memory. To this day, she claims…” or “Lecia says that…” or “…
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Here’s what I learned from Cheryl Strayed: “The hardest part about memoir is the unfortunate fact that other people exist.” Every time she writes about anyone other than herself she asks herself a series of questions— Will this hurt our relationship? Will this unfairly invade someone's privacy? Will I be able to tell this story in such a way that i…
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Here's what I learned from What Remains by Carole Radziwill: -The best prologue I’ve read so far because of her journalistic style of writing. -Structure is so important. It should be seamless, unnoticeable; surprising but not confusing. Never linear. -Rather than attempt to describe visceral moments from my life where I’ve “cried so hard,” I can s…
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Memoir deep dive #8 Here’s what I learned from The Glass Castle by Jeannette Walls: -When you leave out thoughts and feelings it evokes big emotions from the reader. -Action and dialogue drive a story—not thoughts and feelings. -If you want to drop a bomb, bury it. Make it subtle, within a sentence. Say it and move on. -A long list can evoke big em…
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Memoir deep dive #7 Here's what I learned from Born Standing Up by Steve Martin: -Breaking the 4th wall is when the writer addresses the reader directly. It's intimate, it's funny, and a lot of comedic writers do it. It's a fun way to make the reader feel like they're a part of the story. -The best way to be sarcastic in writing is to be subtle abo…
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Memoir deep dive #6 Here's what I learned from Love Warrior by Glennon Doyle: -Her book structure was as follows: Prelude (her wedding day) Part 1 :The Before Image (childhood to rock bottom, to pregnant, to marrying Craig) Part 2: The Explosion (being sober and married and a mom is hard, writing is the light in her life, and then the bomb is dropp…
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Memoir deep dive #5 Here's what I learned from The Tender Bar by J.R. Moehringer: - Repetition can have a lyrical effect, which makes your writing read almost like a poem. It's also a fun tool when writing as a drunk person, because drunk people repeat themselves. - Analogies are a descriptive way to be more specific and visual, and avoid cliches. …
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Here's what I learned from Finding Me by Viola Davis: - Never write: "Words can't describe..." because that's what writing is. It's describing things. - Show don't tell. Show the reader something is important with your words, not punctuation marks. - If you have an amazing story to tell but you're not a very good writer, consider hiring a ghost wri…
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Here's what I learned from Crying In H Mart: -Food is a very visual theme she uses throughout the book. What's a visual theme I could use in my book? -Specific, observational details are interesting and engaging. -Whenever you write about a person, you have to show the good and bad. People are never one-dimensional. -Litter your book with continuou…
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In these memoir deep dives I highlight my takeaways from the book and how I can apply what I learn to writing my own memoir. Here's what I learned from Greenlights: - Coin a term for the title of your book. - Open with a powerful, visual scene. - "The choices we make write the chapters." - Take creative liberties: experiment with more dialogue! - R…
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Charlie is going to write a memoir. What better way to learn about memoir than to read them and reflect on them? In this episode, Charlie talks about what resonated from the book Wild by Cheryl Strayed, and how her notes can help her as she thinks about her own writing. This new format was inspired by David Senra's Founders Podcast. If you haven't …
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Charlie forgets to press record on the first hour of her conversation with Polina. No matter! Polina is a gem. They talk about how they write and their relationships with alcohol. Polina shares her thoughts on personal writing and failure. And they end with a new segment they came up with together called Slow Burn And Smooth Jazz. You won't want to…
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The Bleeckers got COVID. It sucked, but it could be worse. Charlie and Sam talk about their bad habits with sweets and their relationship with alcohol (not great, but they've come a long way). George has gotten particular with his food preferences which makes mealtime a struggle. They debate whether George is speaking words yet, and Sam calls Charl…
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Charlie and Sam discuss the mindfuck that is sleep training your baby. Then Charlie opens up about her chronic neck pain and anxiety and explores what it means to live a happy life. She ends with a song. You're welcome. References: Boyd Varty on The Tim Ferriss Show Zero-based budgeting The Disease of More…
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Charlie struggles with her need to be liked and Sam admits a recent parenting fail with the newborn. They excitedly discuss a new purchase: suitcases!! Then Charlie tells the story of how she and Sam met and tries to articulate some thoughts around the idea that "timing is everything." References: The Courage To Be Disliked by Ichiro Kishimi and Fu…
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The podcasting honeymoon phase is over for Charlie and Sam! They got into a massive argument this week and things got ugly before they eventually (finally) resolved it. They talk about their recent parenting struggle: finding the perfect nanny. And end by dreaming about their "rich life." References: I Will Teach You To Be Rich with Ramit Sethi (po…
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Charlie sticks her foot in her mouth once again and lives to tell the tale. She and Sam finally resolve a conflict that occurred almost two years ago. Then they share their latest parenting struggle: brushing their toddler's teeth. They discuss their mentalities around money and talk about their recent purchase: a nursery chair for the new baby. An…
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Charlie is joined by her husband Sam to rehash their latest argument (it's not Charlie's best look). Then they discuss what they learned recently about parenting, talk about their 16-month-old son's struggles with swallowing food, and end with goals for 2022. References: How To Raise An Adult: Break Free Of The Overparenting Trap And Prepare Your K…
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Lyle McKeany goes straight to the uncomfortable areas of life, quickly. It's what makes his writing so approachable, and unexpectedly funny at times. Lyle writes a weekly newsletter called, Just Enough to Get Me in Trouble, where he writes short stories about life, and being a father.By Nate Kadlac and Reza Saeedi
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In this episode, we chat with writer Charlie Bleecker, who is the lead mentor for David Perell's online writing course, Write of Passage. We chat with Charlie about her journey to write and publish online every week, her writing process, and her decision to write under a pseudonym. If you're struggling to write and publish, don't miss out on this e…
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Simply put, Jesse Desjardins radiates good vibes. Less simply, Jesse led the team behind Tourism Australia, has helped entrepreneurs and corporate leaders on business model innovation with Strategyzer, and built The Guest Experience Map. Jesse shares his unorthodox path around the world to serve the brightest minds using storytelling as a way to co…
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This week, we had Max Nussenbaum on the show as our first ever guest! Max currently runs the Writer Fellowship over at On Deck and writes a weekly newsletter called My Super Secret Diary. As an ex startup founder, we also got Max's takes on the tension (and similarities) that exist between being a founder and an artist. We also talked about writing…
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