“It was a lot of empathizing. I would do long phone calls with Abel (Tesfaye, aka the Weeknd) after we had met, just basically talking to him and finding out more of his history, where he was at in different phases of his life, where he’s at today, and using those to create a character. And part of creating that character is I’ll find my own person…

One of our regular guests is back on the Filmmaker Toolkit, and is pushing the bounds of cinema yet again. For his newest film, Trey partnered with The Weekend to make a film surrounding his final album under that stage name. But this is not your typical, sanitized musician produced film. Trey had complete control to probe the dark parts of The Wee…

“Sometimes it’s easier to find and access your truth through ‘pretend’ characters. So I had this embarrassment of riches of this true story but in my heart, I was like, ‘I totally get to tell my truth!’… So my advice is find a way to do it, and if you have to do a mind trick by saying, ‘I’m writing this pretend character’ that’s fine, but put all t…

The creator, showrunner, and lead writer of 'Ando'r joining IndieWire's Chris O'Falt to break down the entire final season of his amazing series. 'Andor' remains some of the best world building we have ever seen on screen, and Tony explained how his decades of researching rebellions inspired his team to take Star Wars to a new level of political an…

“For me, I don’t know how you could not make [a script] personal. I think drama allows you to hide how personal it is. I think that’s kind of what I like about writing in the genre space. On the outside looking in, it just looks like a big action movie. It doesn’t look like a personal story. But there are personal elements like my mom was a working…

One of the key minds behind the hit series 'Adolescence' sat down with Sarah Shachat of IndieWire to break down the show's complex emotions and technical genius. Graham dives deep into the casting process for each character, and walks us through the elaborate dance they did with the camera crew for each 'oner' filmed episode. Learn more about your …

On today’s episode, we speak to writer Brandon Osterman, whose short script ‘The Naughty List’ won last year’s Final Draft Big Break Short Screenplay Category. As part of his prize package, he received a consultation with Sav Rodgers, Marketing Manager for Seed&Spark, the film industry’s most popular crowdfunding platform. Sav joins the conversatio…

“One of the things we talked a lot about in the room is that very rarely do people set about their day saying, ‘Okay, I’m going to go do some evil.’ But for most people, we’re all sort of the leads in our own stories and we’re all crafting the narrative of who we want the world to see us as. And we do start to believe that. You tell yourself these …

“The Righteous Gemstones” creator Danny McBride joins IndieWire’s Jim Hemphill to talk about the final season of his hit HBO comedy about a dysfunctional family of televangelists. McBride discusses balancing comedy and emotion, casting Bradley Cooper in the offbeat season premier, and much more in this wide-ranging conversation. Learn more about yo…

Directing 'April' put director Dea Kulumbegashvili and her team into hot water with the Gerogian Government. Dea joined IndieWire's Chris O'Falt to talk through the ways she tackled controversial topics like abortion in her film, and how catching parts of 'First Blood' on TV during rare electricity surges hooked her on cinema. Learn more about your…

Cassian Andor himself sat down with IndieWire's Sarah Schachat to break down what goes into making the most detailed Star Wars project yet. Diego opens up about his role keeping the vision on track as an actor/producer, and how the structure of Andor's production allows for so much detail. Watch this entire conversation on IndieWire's Youtube page:…

David Cronenberg' is one of our greatest living filmmakers, and not just because he made so many classic films in the 70s and 80s. His recent work is frighteningly modern, grappling with phones and AI and how they intersect with the body. Listen to hear Cronenberg break down how this film was inspired by losing his wife, and what the film taught hi…

After the success of Black Panther and Creed, some in the industry wondered why Ryan Coogler's next film, his first completely original story, was a vampire movie. But once you hear how Coogler infused the film with the blues, Mississippi folklore, and his own family history, you will understand why 'Sinners' is far more than just a vampire story. …

Director Christopher Landon joins IndieWire features writer Jim Hemphill to talk about his latest film, “Drop.” A thriller set almost entirely in one location, relying heavily on cell phones, “Drop” created a number of logistical and aesthetic challenges for Landon, all of which he breaks down in this conversation. Learn more about your ad choices.…

“If you can make the twists [in the story] hit your character in an emotional way and set up their emotional arc, then when the case twist intersects with them, if it's hitting them in the deepest way, in the most unexpected way, maybe – then you've done your job. So it's getting that emotional arc to really bounce off of the crime story in the mos…

On today’s episode of Write On, we chat with Kim Rosenstock, co-creator and co-showrunner for the new limited series, Dying For Sex, starring Michelle Williams, Jenny Slate and Sissy Spacek. Based on a true story, Dying for Sex is about a woman diagnosed with metastatic breast cancer who abandons her husband of 15 years to begin a journey of sexual…

On this episode IndieWire’s Jim Hemphill is joined by veteran television director Bethany Rooney, who talks about a career that began on “St. Elsewhere” in the 1980s and continues to the present day on shows like “Tracker” and “Criminal Minds.” Rooney takes the listener through the nuts and bolts of every facet of TV directing, explaining the simil…

We're debuting a new series on the Toolkit feed; a look into some of the challenges and opportunities facing independent filmmakers in 2025. First up, we sit down with veteran producer Alex Saks, to dig into why even our most successful independent filmmakers are struggling to make a living right now. If directors like Sean Baker and Brady Corbet c…

This impressive indie film documents the groundbreaking work of physician and co-founder of Ronald McDonald House Charities, Dr. Audrey Evans. Director Ami Canaan Mann joins IndieWire's Sarah Shachat to discuss illuminating this incredible woman's life, and share how she made such a handsome looking feature on a truly indie budget (it involves an a…

“I didn’t really set out to make Cordelia (Uzo Aduba) quirky. I just wanted to make her distinctive. I just really thought about who I wanted her to be and how I thought [birdwatching] would be an interesting way for her to approach her job. And the very first thing that came to me was just her use of silence and her ability to just be comfortable …

“The Actor” director Duke Johnson stops by Toolkit to talk with IndieWire’s Jim Hemphill about making his live-action feature debut after making a name for himself in the world of stop-motion animation. Topics include the challenges of adaptation, why he cast actors in multiple roles, and how he made the most of a budget and schedule that fell far …

“Sameness is terrible. Your goal is to cut through it. If you have a unique perspective, you’re going to take vampires or anything that everybody thinks they know and do it in a way that’s really exciting and gets people really pumped up about it. There are all these incredible worlds to explore, but there just needs to be somebody that can take yo…

“Novocaine” directors Dan Berk and Robert Olsen join IndieWire’s Jim Hemphill to talk about their new action-comedy, which merges the influence of 1980s hits like “Die Hard” and “Lethal Weapon” with the story of a new kind of action hero. Berk and Olsen discuss how they made the most of a modest budget, why Cape Town, South Africa doubled for San D…

Korean only version begins at: 23:01 We are thrilled to welcome back Oscar winning director of Parasite, Bong Joon Ho. His new movie takes place in a world where human printing exists (memories and all), and follows a man who agrees to be killed again for science. Director Bong reveals the pandemic-inspired origins of the film, what it was like wor…

“With an adaptation, you can never give back your first read. So, what are you taking away? What fills your soul? Why do you want to tell this story? And then that becomes sort of the North Star. And I’m tethered more by that North Star than by the actual moves that are happening in the book,” says Long Bright River showrunner, Nikki Toscano, about…

So what makes a great hangout film like “Dazed & Confused” or “American Graffiti”? That’s what IndieWire’s Chris O’Falt asks director Carson Lund, a student of the sub-genre and who just made a great one with his baseball film “Eephus,” the story of two recreational baseball teams, up in small town New England, playing their last game on their belo…

'Compensation' is an underdiscussed classic that follows two young black couples, one of whom is deaf, played by the same actors in two time periods, facing two different pandemics. In making the movie in the 90s, and discussing it now, Zeinabu is brilliant at capturing the complexities and patterns of black lives. Learn more about your ad choices.…

'Universal Language' is a charming, deceptively deep indie film about a town that is somehow both Winnipeg, Canada and Tehran, Iran, and the lives of its citizens. Director Mathew Rankin sat down with IndieWire craft writer Sarah Shachat to discuss what it takes to live in community, finding his family on set, and of course filming with live turkey…

Director Coralie Fargeat tells IndieWire how the films of David Lynch, Stanley Kubrick, the Coen Brothers, David Cronenberg, John Carpenter and Darren Aronofsky inspired her Oscar nominated body horror classic. Learn more about your ad choices. Visit megaphone.fm/adchoicesBy Chris O'Falt

This powerful documentary, produced and directed by Shiori Itō, documents her own sexual assault and the investigation in Japan. Itō kindly shares her personal experiences documenting her own legal case, and describes the challenges of post production when she is the subject as well as filmmaker. Learn more about your ad choices. Visit megaphone.fm…