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Dr Cyril Jenkins Podcasts

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This episode Dr. Jenkins looks at the 5th and 6th centuries, the period after St. Augustine (d. 430), wherein the Latin west nearly unanimously embraced doctrine of the double procession of the Holy Spirit. But this confession came with no real theological explanation about what exactly this meant. https://tinyurl.com/Doxamoot2025https://tinyurl.co…
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As we contiue our look at the question of the Schism, we pick up with the matter of Theology proper, that is, how do we think and speak of God in Himself, as opposed to how God works in Creation and Redemption, and how this impacts the question of the Filioque.https://tinyurl.com/Doxamoot2025https://tinyurl.com/OrthEd2025 Byzantine course: https://…
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Building off of last week's episode, Dr. Jenkins continues discussing the preconditions of the schism, the geographical, cultural, historical, and linguistic concerns that fed into the schism, though certainly didn't create it.The links for the two conferences this Fall with the St. Basil Center.https://tinyurl.com/Doxamoot2025https://tinyurl.com/O…
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Dr. Jenkins begins a discussion of the power and prerogative of the bishops of Rome, looking at the second-century Quartodeciman controversy over the date of Pascha. This controversy marks the first interaction of the bishops of Rome with the Churches of the eastern Mediterranean.Byzantine course: https://tinyurl.com/LuxchristiByzantium…
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Paul Paragon AMPS in conversation with Sound Recordist Ellie Williams AMPS - Recognised for her work on Secret World of Sound with David Attenborough - winner of the 2025 AMPS award for sound in a factual film.Recorded by Martyn Harries AMPS and Richard Thomas AMPSEdited and Mixed by Kate Davis AMPS with thanks to Azimuth Post Production…
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In this episode Martyn Harries AMPS talks with Professor Andrew Knight-Hill and Dr. Emma Margetson about their book “Art of Sound” - exploring creativity in sound with conversations between Film Sound practitioners and Electroacoustic Music composers. They talk about their work at the University of Greenwich and the interesting projects some of whi…
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For St. Benedict, that most necessary thing a monk could do was pray, what he called the work of God (Opus Dei), adn this episode Dr. Jenkins unpacks exactly what that looked like in a Benedictine monaster.For the Video of the Benedictine Monastery: https://tinyurl.com/BenedictineOrthodoxFor the Audio Book on St. Patrick: https://tinyurl.com/StPatr…
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This episode Dr. Jenkins concludes his discussion of early Irish Christianity but noting some possible links between the the earliest Irish Christians and influences on them that semm peculiar to eastern Mediterranean.For Dr. Jenkins new course on Byzantium: https://tinyurl.com/LuxchristiByzantiumFor Connie Marshner's Monastery and High Cross: http…
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Nina Hartstone AMPS talks with Ron Bartlett, Re-Recording Mixer and Gareth John AMPS, Production Sound Mixer about their work on AMPS Film Sound Award winner Dune Part 2.Hear about the recording of shifting sand sounds and how it is not all about loud bangs and action but tight, quiet, delicate detail to pull the audience into the real desert envir…
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Director Jacques Audiard and re-recording mixer Cyril Holtz take us behind the scenes of Emilia Perez, sharing how their creative collaboration shaped the film’s groundbreaking soundtrack. They discuss finding inspiration in an unlikely character, integrating real-world sounds into musical sequences, and balancing raw emotion with stylized soundsca…
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Louise Burton AMPS in conversation with Production Sound Mixer Emmanuelle Villard and Sound Editors Valerie Deloof and Victor Fleurant about their work on Coralie Fargeat's film "The Substance" The innovative use of a stethoscope, Creative Foley and Coralie's approach to sound and her diverse team.Translator: Abla Candalaft…
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In this episode, the AMPS Podcast delves into the 12th annual AMPS Film Awards for Excellence in Sound in a Feature Film. Hosted by Martyn Harries, the episode features an engaging panel discussion with AMPS Council members George Foulgham, Louise Burton, Kate Davis, Rob Walker, and Andrew Wilson. Together, they explore what makes a soundtrack stan…
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