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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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World-renowned Australian cinematographer Dion Beebe (Memoirs of a Geisha, Collateral,Chicago) discusses the transition from celluloid to digital filmmaking, as debated in SFF's International Documentaries selection Side by Side, in which he is interviewed. Beebe also shot The Zen of Bennett, directed by Unjoo Moon, which screened in SFF's Sounds on Screen.
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