Here in the northern hemisphere it's getting misty and mellow all over again. Time for Autumn 2025 and another fruitful harvest of podcasts, ripened to the core. Over the next few weeks, we'll be hearing from Caroline Clark, Kasimma and Ephameron. But we launch into autumn with Helon Habila and his story Paradise.

Habila tells us how, after twenty years of living in the USA, in this story he's trying to "make sense of America".

"History is not past," Habila says, "it's still with us, and we're living the consequences of that history of slavery in America. To even begin to understand the place, you have to grapple with that history."

Paradise puts different Black experiences alongside each other – a Nigerian girl living in Northern Virginia, a young woman whose mother is Nigerian and whose father is white, and a vision of the Brazilian countryside "filled with Black people". But at the heart of the story are two twins, whose ancestors were enslaved on the Strout Estate.

When they return to the house, there's "almost a beautiful symmetry", Habila says, "a cycle coming to a close".

"You can only imagine that, for them, what it must feel like." To be free people, he continues, knowing their ancestors could never have dreamed of the freedoms that they enjoy today, "that's the contradiction, that's the complexity in American history and the American present, where the past is always in conflict with the present".

Some people want to erase the evidence, Habila adds, to "rewrite history. They want to claim that the slaves were actually happier being slaves than Black people are today."

The pressure on academics, the new boldness of people in power to say out loud what could only be said before in a whisper is "scary" he says, but he has to go on. "The only thing one can do as an artist is just to remind people and historicise these things and try to turn it into art."

Next time, Caroline Clark will be talking about the inevitable pain of the writing life and her short story I Will Go.

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