Share
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Manage episode 522255394 series 3583766
Content provided by Evan, Bill, Ward. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Evan, Bill, Ward or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
We are joined by author and screenwriter Briana Cox to talk about one of her favorite vampire movies, A Girl Walks Home Alone At Night. Released in 2014, the film is a Farsi language horror film written and directed by Ana Lily Amirpour, and stars Sheila Vand, Arash Marandi, Mozhan Marnò, Marshall Manesh, and Dominic Rains. The film was promoted as the "first Iranian vampire Western" and was partially funded through an Indigogo campaign.
We discuss the vampire as a symbol of both alienation and predation, the vampiric nature of capitalism itself, and attempts to break the cycles of predation and parasitism thrust upon us within this system and the bleakness of Bad City's "dead body ditch" being the only source of community within the film.
You can follow Briana on Instagram or Threads, preorder their book Indigent, visit their website and support them on ko-fi.
Left of the Projector Links
https://leftoftheprojectorpod.threadless.com/
https://www.instagram.com/the_red_gobbo/
https://www.instagram.com/millennialmarxist1/
234 episodes
))
