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Spooky Special: "Trans-fixing Media” with Cáel Keegan

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Manage episode 381457976 series 2928337
Content provided by Lena Mattheis. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lena Mattheis or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
We’re so done with scary trans villains and monsters – or are we? Cáel Keegan explains why we might be able to learn lessons about trans liberation from Buffalo Bill and why The Silence of the Lambs, upon its release, was actually protested for homophobia. Cáel speaks about transfixing and spellbinding media, from The Matrix to Buffy to video games. Dark Willow makes an appearance. Not to be missed.

References:
Keegan, Cáel M. Lana and Lilly Wachowski. University of Illinois Press, 2018.
Keegan, Cáel M. "Emptying the future: Queer melodramatics and negative utopia in Buffy the Vampire Slayer." Queer Studies in Media & Popular Culture 1.1 (2016): 9-22.
Keegan, Cáel M. "Getting disciplined: What’s trans* about queer studies now?." Journal of homosexuality 67.3 (2020): 384-397.
Keegan, Cáel M., Laura Horak, and Eliza Steinbock. "Cinematic/trans*/bodies now (and then, and to come)." Somatechnics 8.1 (2018): 1-13.
Orange is the New Black
The Matrix
The Silence of the Lambs
Hannibal Lecter
Jodie Foster
Homonormativity
Mads Mikkelsen
Anthony Hopkins
Will Graham
Buffalo Bill
Dark Willow
Soldier’s Girl
Hil Malatino
Leah Lakshmi Piepzna-Samarasinha
Mark Fisher’s Capitalist Realism
Judith Butler’s Panicked Mimesis
McKenzie Wark’s Gamer Theory
Work in Progress
Abby McEnany
Theo Germaine
They/Them
Edie Fake’s Gaylord Phoenix


Questions you should be able to respond to after listening:
  1. Why is Cáel so interested in mass media? What can we learn from widely received stories – even, or especially when, they’re problematic?
  2. Cáel explains how we can take care of difficult texts or even diffuse them like bombs. What does this mean? Did either concept resonate with you?
  3. What is cisgender realism and which theorist is Cáel building on with this concept?
  4. What is your favourite scary queer text and why is it Carmilla?
  continue reading

133 episodes

Artwork
iconShare
 
Manage episode 381457976 series 2928337
Content provided by Lena Mattheis. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lena Mattheis or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
We’re so done with scary trans villains and monsters – or are we? Cáel Keegan explains why we might be able to learn lessons about trans liberation from Buffalo Bill and why The Silence of the Lambs, upon its release, was actually protested for homophobia. Cáel speaks about transfixing and spellbinding media, from The Matrix to Buffy to video games. Dark Willow makes an appearance. Not to be missed.

References:
Keegan, Cáel M. Lana and Lilly Wachowski. University of Illinois Press, 2018.
Keegan, Cáel M. "Emptying the future: Queer melodramatics and negative utopia in Buffy the Vampire Slayer." Queer Studies in Media & Popular Culture 1.1 (2016): 9-22.
Keegan, Cáel M. "Getting disciplined: What’s trans* about queer studies now?." Journal of homosexuality 67.3 (2020): 384-397.
Keegan, Cáel M., Laura Horak, and Eliza Steinbock. "Cinematic/trans*/bodies now (and then, and to come)." Somatechnics 8.1 (2018): 1-13.
Orange is the New Black
The Matrix
The Silence of the Lambs
Hannibal Lecter
Jodie Foster
Homonormativity
Mads Mikkelsen
Anthony Hopkins
Will Graham
Buffalo Bill
Dark Willow
Soldier’s Girl
Hil Malatino
Leah Lakshmi Piepzna-Samarasinha
Mark Fisher’s Capitalist Realism
Judith Butler’s Panicked Mimesis
McKenzie Wark’s Gamer Theory
Work in Progress
Abby McEnany
Theo Germaine
They/Them
Edie Fake’s Gaylord Phoenix


Questions you should be able to respond to after listening:
  1. Why is Cáel so interested in mass media? What can we learn from widely received stories – even, or especially when, they’re problematic?
  2. Cáel explains how we can take care of difficult texts or even diffuse them like bombs. What does this mean? Did either concept resonate with you?
  3. What is cisgender realism and which theorist is Cáel building on with this concept?
  4. What is your favourite scary queer text and why is it Carmilla?
  continue reading

133 episodes

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