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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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George talks to the filmmaker Rodney Ascher, whose latest doc is A GLITCH IN THE MATRIX.
We’ve had Ascher on the show before to discuss his inventive genre-bending docs Room 237 and The Nightmare.
A Glitch in the Matrix is a look at the increasingly popular simulation theory using Ascher's hyper-referential editing style, CGI animated first-person accounts, Philip K. Dick lectures, and the Matrix trilogy. Other interviews include Chris Ware, Nick Bostrom, Erik Davis, and Emily Pothast.
The soundtrack score by composer Jonathan Snipes just came out on vinyl from Deathbomb Arc.
You can rent the film or watch it on Hulu.
Follow Rodney on:
Twitter: @rodney_ascher
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