Share
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Manage episode 509358789 series 2361888
Content provided by Filmmaking Stuff. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Filmmaking Stuff or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Do filmmakers still need a Producer’s Rep?
We break down the history of producers reps, why they mattered in the 90s, and how direct access to acquisitions execs at markets like AFM, EFM, and Cannes has changed the game. Learn when a rep might still make sense—and when you’re better off handling distribution yourself.
300 episodes
))
