This Paramount 1933 Studios Year by Year episode features two of the studio's defining stars of the era: the Marx Brothers, in their final, most famous, and (maybe) most nihilistic Paramount film, Duck Soup, directed by Leo McCarey, and Gary Cooper, miscast (or maybe not) in One Sunday Afternoon in the role that would go to James Cagney in the Warner Bros. remake, The Strawberry Blonde. We zero in on Groucho's authoritarian anti-authoritarianism and Cooper's embodiment of a charismatic man's class resentment. And in Fear and Moviegoing in Toronto, we share our first experience with the cinema of Nouvelle Vague primitivist Luc Moullet, his quirky and candid examination of second-wave feminism's effect on his relationship (and anatomy), Anatomie d'un rapport (1976)

Time Codes:

0h 00m 25s: 1933 and Paramount

0h 06m 53s: ONE SUNDAY AFTERNOON (1933) [dir. Stephen Roberts]

0h 27m 01s: DUCK SOUP (1933) [dir. Leo McCarey]

1h 01m 22s: Fear & Moviegoing in Toronto – Luc Moullet and Antonietta Pizzorno's Anatomie d'un rapport (1976)

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Studio Film Capsules provided by The Paramount Story by Jon Douglas Eames

Additional studio information from: The Hollywood Story by Joel W. Finler

1933 Information from Forgotten Films to Remember by John Springer

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* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

* Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

* Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.

* Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

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