The episode presents an argument identifying a small selection of films that stand as undeniably flawless Best Picture winners, arguing that their greatness transcends the typical controversies and debates surrounding the Academy Awards. The author contends that these specific films possess an overwhelming quality and profound cultural influence, making critical dissent against their victory almost performative. The essay examines ten movies, presented chronologically, ranging from classics like Casablanca (1943) and The Godfather to modern game-changers such as Parasite and Everything Everywhere All at Once. These examples demonstrate that the Academy occasionally awards films—including horror-thrillers and complex fantasy epics—that are universally agreed upon as exemplary works of cinema. Ultimately, the source provides a celebration of the rare moments in film history when the Academy's decision was unimpeachable and entirely justified by the film’s lasting artistic and cultural significance.