Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Afro-Dominicana: Music from the Other Dominican Republic
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Manage episode 485639970 series 2485502
Content provided by Afropop Worldwide. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Afropop Worldwide or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
In the 1930s, infamous Dominican dictator Rafael Truillo ordered the burning of the country’s palos drums, hoping to erase the powerful vestiges of African culture in the Dominican Republic. Luckily for us, the breakneck, trance-inducing sound of palos still reverberates at Afro-syncretic religious parties across the Caribbean nation almost a century later. In this episode, Afropop revisits the home of styles such as merengue and bachata, but this time we’ll be looking towards the most deeply African side of Dominican music—little known outside of the island. Afro-Dominican music is a secret treasure, filled with virtuosic drumming styles, heart-stopping grooves, and mystic dance parties. We’ll listen to traditional genres like palos, salve, and gaga, a uniquely Dominican take on rara music from neighboring Haiti. Throughout, we’ll be looking at artists who have drawn on Afro-Dominican styles to make infectious pop music, from wizened veterans of the folklore movement such as Luis Dias, to a host of hip young bands who use Afro-inspired rock, reggae and hip-hop to redefine what it means to be Dominican. We’ll also check out the Afro-Dominican scene in New York City—home to more than a half-million Dominicans—where we’ll find a Dominican gaga group in Brooklyn that is mending cultural fences at a Haitian celebration. Produced by Marlon Bishop APWW #579
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631 episodes
MP3•Episode home
Manage episode 485639970 series 2485502
Content provided by Afropop Worldwide. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Afropop Worldwide or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
In the 1930s, infamous Dominican dictator Rafael Truillo ordered the burning of the country’s palos drums, hoping to erase the powerful vestiges of African culture in the Dominican Republic. Luckily for us, the breakneck, trance-inducing sound of palos still reverberates at Afro-syncretic religious parties across the Caribbean nation almost a century later. In this episode, Afropop revisits the home of styles such as merengue and bachata, but this time we’ll be looking towards the most deeply African side of Dominican music—little known outside of the island. Afro-Dominican music is a secret treasure, filled with virtuosic drumming styles, heart-stopping grooves, and mystic dance parties. We’ll listen to traditional genres like palos, salve, and gaga, a uniquely Dominican take on rara music from neighboring Haiti. Throughout, we’ll be looking at artists who have drawn on Afro-Dominican styles to make infectious pop music, from wizened veterans of the folklore movement such as Luis Dias, to a host of hip young bands who use Afro-inspired rock, reggae and hip-hop to redefine what it means to be Dominican. We’ll also check out the Afro-Dominican scene in New York City—home to more than a half-million Dominicans—where we’ll find a Dominican gaga group in Brooklyn that is mending cultural fences at a Haitian celebration. Produced by Marlon Bishop APWW #579
…
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