Happy Halloween!

Don and Dude get into the spirit with a pair of albums by artists who turned makeup, mystery, and myth into musical identity. Some masks conceal, others reveal . These bands prove that image can be as powerful as sound. From glitter-streaked proto-punk to sacred heavy metal pageantry, this episode dives into records that blur the line between costume and self.

New York Dolls – New York Dolls (1973) Glam rock’s wildest children crash onto the scene with guitar riffs that swagger and sneer. Produced by Todd Rundgren, this debut revs with glitter, grime, and chaotic charm. David Johansen, Johnny Thunders, and company blend garage grit with lipstick-stained theater, creating the blueprint for punk attitude and glam-metal swagger alike. Songs like "Personality Crisis," "Trash," and "Jet Boy" turn confusion and defiance into style itself.

Ghost – Meliora (2015) From Sweden’s cathedrals of doom comes a band that made Satanic spectacle strangely sublime. Led by Tobias Forge under papal disguise, Ghost’s breakthrough record polishes metal into something divine and disturbingly singable. Meliora fuses heavy riffs, orchestral touches, and choirlike harmonies to explore faith, absence, and false salvation. The Grammy-winning "Cirice" leads the sermon, while “He Is” and “Deus in Absentia” bring haunting grandeur to a godless world. It’s as if Queen joined Black Sabbath inside a gothic cathedral of mirrors.

Diggin’

Dude:

Unto Others – I Believe in Halloween II (2025);

Black Sabbath – Black Sabbath (1970)

Don:

The Blow Monkeys – Birdsong (2025)

The Sisters of Mercy – Floodland (1987)

What album conjures your inner alter ego? Tell us on Instagram, Facebook, Threads, and BlueSky at @albumnerds.

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