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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Louise Burton AMPS MPSE in conversation with Supervising Sound Editor/ Re-Recording Mixer Paul N.J. Ottosson and Production Sound Mixer Thomas Varga about their work on Kathryn Bigalow’s “House of Dynamite”, the challenges of recording and editing a huge ensemble cast multi-stage and how to maintain tension inside the interior space. This episode is sponsored by Ursa Straps https://ursastraps.com/
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