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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Today on Art of the Cut we speak with Oscar nominee Jake Roberts, ACE, about editing Alien Romulus.
Jake has been on Art of the Cut previously for the films Brooklyn, Hell or High Water, and The Hitman's Bodyguard. He was also on for the TV series, Devs.
His work on Hell or High Water was nominated for an Independent Spirit Award, an ACE Eddie and an Oscar.
We’re going to be discussing director Fede Alvarez’s cinematic hack behind the jump scare, how pacing builds tension, and how they shot special effects in the cutting room.
You can read along with this interview and see trailers, film clips and stills from the movie at
borisfx.com/blog/aotc
162 episodes
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