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Eric Fischl

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Manage episode 323723670 series 2924289
Content provided by Alex Zoppa and Robyn Rosenfeld, Alex Zoppa, and Robyn Rosenfeld. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Alex Zoppa and Robyn Rosenfeld, Alex Zoppa, and Robyn Rosenfeld or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

Eric Fischl is one of the most influential painters of the late 20th and early 21st centuries. Inspired by his own middle-class upbringing on Long Island, Fischl’s provocative paintings expose the underbelly of American suburban life while piercing through its veil. Through startling scenes of grief, adolescent sexuality and political malaise, Fischl is committed to expressing what often remains hidden and unspoken behind society’s mores.
During his meteoric rise in the 1980s, in an era when art eschewed figuration and the human body, Fischl embraced it… His paintings boldly explore the body in all of its movement, gesture, and form. By imbuing his large scale canvases with a psychological intensity, Fischl’s work invites us to examine our own relationship with taboos, internal conflict, and complacency.
Fischl's paintings, sculptures and drawings have been the subject of numerous solo and major group exhibitions around the world, and his work is represented in major museum collections including The Metropolitan Museum of Art, MoMA, The Whitney Museum of American Art, and MoCA in L.A. His memoir “Bad Boy: My Life On and Off the Canvas” was published by Crown in 2013.
A longtime resident of Sag Harbor, Long Island, Eric’s recent venture has been to renovate and transform a local church into an artist residency, exhibition space and creative center known fittingly as The Church (https://www.thechurchsagharbor.org/).

Follow our official Instagram account @artlawspod

  continue reading

23 episodes

Artwork

Eric Fischl

ARTLAWS

published

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Manage episode 323723670 series 2924289
Content provided by Alex Zoppa and Robyn Rosenfeld, Alex Zoppa, and Robyn Rosenfeld. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Alex Zoppa and Robyn Rosenfeld, Alex Zoppa, and Robyn Rosenfeld or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

Eric Fischl is one of the most influential painters of the late 20th and early 21st centuries. Inspired by his own middle-class upbringing on Long Island, Fischl’s provocative paintings expose the underbelly of American suburban life while piercing through its veil. Through startling scenes of grief, adolescent sexuality and political malaise, Fischl is committed to expressing what often remains hidden and unspoken behind society’s mores.
During his meteoric rise in the 1980s, in an era when art eschewed figuration and the human body, Fischl embraced it… His paintings boldly explore the body in all of its movement, gesture, and form. By imbuing his large scale canvases with a psychological intensity, Fischl’s work invites us to examine our own relationship with taboos, internal conflict, and complacency.
Fischl's paintings, sculptures and drawings have been the subject of numerous solo and major group exhibitions around the world, and his work is represented in major museum collections including The Metropolitan Museum of Art, MoMA, The Whitney Museum of American Art, and MoCA in L.A. His memoir “Bad Boy: My Life On and Off the Canvas” was published by Crown in 2013.
A longtime resident of Sag Harbor, Long Island, Eric’s recent venture has been to renovate and transform a local church into an artist residency, exhibition space and creative center known fittingly as The Church (https://www.thechurchsagharbor.org/).

Follow our official Instagram account @artlawspod

  continue reading

23 episodes

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