This week: Peerless – the purge of the hereditary peers

For this week’s cover, Charles Moore declares that the hereditary principle in Parliament is dead. Even though he lacks ‘a New Model Army’ to enforce the chamber’s full abolition, Keir Starmer is removing the hereditary peers. In doing so, he creates more room, reduces the Conservatives’ numerical advantage, and improves ‘the sex and ethnic balance’. But 86 hard-working and dutiful peers ‘lacking worldly ambition or partisan passions’ will be lost.

Also in the magazine, Sophia Falkner, researcher at The Spectator, sets out exactly what we stand to lose by profiling some of the most capable hereditary peers in the House. She warns that Labour’s purge is ripping the heart out of the Lords. Sophia and Charles spoke to Natasha Feroze earlier this week on Spectator TV – you can also hear their discussion on the podcast. (01:10)

Next: Why should the hunt for the next Archbishop of Canterbury be ‘inclusive’?

That’s the question Revd Fergus Butler-Gallie asks in the magazine this week. ‘It will be a miracle,’ writes Butler-Gallie, ‘if we know the name of the new Primate of All England by the autumn.’ Justin Welby announced his resignation as Archbishop of Canterbury last November; it took until May this year even to assemble the committee to discuss his potential successors.

For Butler-Gallie, the process doesn’t have to be swift – it only has to be ‘holy’. To discuss what exactly constitutes a ‘holy process’ – and what this drawn-out process says about the Church – he joined us alongside Esme Partridge, journalist and master’s student in philosophy and religion at Cambridge University. (18:57)

Finally: Does AI belong on the tennis court?

Patrick Kidd writes in the magazine about the creep of AI spoiling sport, following a high-profile incident during this week’s Wimbledon tournament in which the AI system stands accused of ‘human error’. To discuss, Kidd was joined by Dr Tom Webb, founder of the Referee and Sports Official Research Network. (34:16)

Hosted by William Moore and Gus Carter

Produced by Oscar Edmondson and Ed Harvey