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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Is John Goodman the devil? Is the studio system good, actually? Is it better to be the director of a bomb than it is to be the director of a film that doesn’t exist? Filmmaker (and part of a DGA-sanctioned directing duo) Chris Weitz joins us to talk about Barton Fink, possibly the greatest film ever made about the “art vs. commerce” divide inherent to the movie business. It’s not easy to make a picture, folks.
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