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87 - Shirley Jackson's We Have Always Lived in the Castle

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Manage episode 336966385 series 1236037
Content provided by David Southard and Nathan Sharp, David Southard, and Nathan Sharp. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Southard and Nathan Sharp, David Southard, and Nathan Sharp or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

David, Eric, and Nick seek out some mid-summer spookiness in Shirley Jackson’s acclaimed We Have Always Lived in the Castle and instead find a compact work that is much more complicated than the horror themes, accessible sentences, and vaguely young adult-ish book cover (thanks Penguin Classics) lead one to believe. Cheers to Jackson for walking the line between genre and literary fiction and forcing the reader to sit with a story that has all the trappings of a murder mystery, but none of the virtuous resolutions. Perhaps we are all lacking the ability to communicate across societal lines, forever content in our ever-shrinking castles after all.

  continue reading

112 episodes

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iconShare
 
Manage episode 336966385 series 1236037
Content provided by David Southard and Nathan Sharp, David Southard, and Nathan Sharp. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Southard and Nathan Sharp, David Southard, and Nathan Sharp or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

David, Eric, and Nick seek out some mid-summer spookiness in Shirley Jackson’s acclaimed We Have Always Lived in the Castle and instead find a compact work that is much more complicated than the horror themes, accessible sentences, and vaguely young adult-ish book cover (thanks Penguin Classics) lead one to believe. Cheers to Jackson for walking the line between genre and literary fiction and forcing the reader to sit with a story that has all the trappings of a murder mystery, but none of the virtuous resolutions. Perhaps we are all lacking the ability to communicate across societal lines, forever content in our ever-shrinking castles after all.

  continue reading

112 episodes

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