In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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72: Hour of the Wolf
Manage episode 478158951 series 3526515
Content provided by Bryan and David White and David White. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bryan and David White and David White or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
This week we're joined by Chris Haskell of Punk Vacation, Mondo Macabro, and They Live By Film as we continue our series of high-class horror movies. We're talking about the divine black and white Swedish torment of Ingmar Bergman's Hour of the Wolf.
Bergman is one of the all-time film making greats and you can see his fingerprints on the weirder corners of American film. In the case of Hour of the Wolf you can draw a direct line from this deeply introspective movie to the work of David Lynch. With Max Von Sydow and Liv Ullman, Hour of the Wolf is a movie about a lot of things. It's about an artist's place in his own work, what it means to own a piece of art, it's about guilt and regret and the damage left in your wake when you're constantly following your heart. Ingmar Bergman is a filmmaker who seemed to be constantly going through something and this is one of the results of a man living in his head 24/7.
Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJ
Support Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepod
Buy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
118 episodes
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Manage episode 478158951 series 3526515
Content provided by Bryan and David White and David White. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bryan and David White and David White or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
This week we're joined by Chris Haskell of Punk Vacation, Mondo Macabro, and They Live By Film as we continue our series of high-class horror movies. We're talking about the divine black and white Swedish torment of Ingmar Bergman's Hour of the Wolf.
Bergman is one of the all-time film making greats and you can see his fingerprints on the weirder corners of American film. In the case of Hour of the Wolf you can draw a direct line from this deeply introspective movie to the work of David Lynch. With Max Von Sydow and Liv Ullman, Hour of the Wolf is a movie about a lot of things. It's about an artist's place in his own work, what it means to own a piece of art, it's about guilt and regret and the damage left in your wake when you're constantly following your heart. Ingmar Bergman is a filmmaker who seemed to be constantly going through something and this is one of the results of a man living in his head 24/7.
Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJ
Support Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepod
Buy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
118 episodes
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Similar to Bring Me The Axe! Horror Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
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…
continue reading
Playing through your favorite movies like RPG’s and totally ruining them
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continue reading
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Go offline with the Player FM app!
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