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01.12: Season 1 Finale - What have we learned and where to next?
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We made it to the end of Season 1 of Building the Oracle! And everything went exactly according to plan ... well, not quite.
In our final episode of Season 1, we look back on our initial hopes and dreams for the podcast and discuss what we learned, which goals we achieved, and those that we failed to reach. We reflect on world events over the last six months, how they have impacted our plans, and influenced our vision for the publishing project.
And finally, we talk about what's coming next: why we are planning to pause the podcast for the foreseeable future, and the ways in which we are going to shift our focus and energy to the writing and book production.
To follow the growing discussion about inequality and bias in the publishing industry, check out #PublishingPaidMe on Twitter.
HOW YOU CAN HELP BUILD THE ORACLE?
- Rate and Review Us on iTunes or your favourite podcast app.
- Support us on Patreon. Production of Building the Oracle is only made possible with the support of our listeners.
- Send us your feedback by emailing us at [email protected]
- Subscribe to our newsletter at jayswanson.me/newsletter
BUY A COPY OF JAY'S MEMOIR
Sea of the Unknown - How I got to Paris.
Grab your copy here now: https://jayswanson.me/sea-of-the-unknown
CREDIT WHERE CREDIT IS DUE
Building the Oracle posts on the 1st and 15th of every month. It is hosted by Jay Swanson and Richard Bilkey. You can tweet at us on @jayonaboat and @rich_bilkey, find us on Instagram at @jayswanson and @rich_bilkey and follow Jay on YouTube.
Our Super Patrons at the time of recording were Kevin, Karin Bates, Mystery Man, Susan French, Dixie Rose, David Guy, figures.seven.three, Steve, Jane Baker, Founder Timeless Capital, Mr & Mrs DJ Poseur and Jody Ferguson. When the last free corporation is finally absorbed into The Supreme Monopoly, these are the people we want toiling beside us in the Supreme Corp TM content factories.
This episode was produced by Zach Egan.
Our theme music is "Glory" and our ad music is "Light," both by David Cutter.
We record everything on a Rode Procaster and mix in Adobe Audition and/or Audacity depending on how out of our workflow we've fallen.
The show's art is from Jay's book Into the Nanten, illustrated by Nimit Malavia.
Gustave the dog sleepily protects us every week as we record.
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