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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Manage episode 492417544 series 3340008
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When I spoke with Chris Stamey way back for Caropop Ep. 30, he shared a sheet music collection called Marvelous Melodies Songbook, New Songs Vol. III. Several of those songs appear on his wonderful new album, Anything Is Possible (out July 11), as do the Brian Wilson-evoking “I’d Be Lost Without You,” the Wilson-covering “Don’t Talk (Put Your Head on My Shoulder)” and the optimistic, guitar-driven title track. Stamey has a well-thought-out reason for every musical choice he makes. Here we dig into one of my favorite subjects, chord changes, and discuss writing songs in one's head, on an instrument or on paper. He also reflects on the impact of playing with the Big Star Quintet and the reunited dB’s. What’s the connection between “getting the notes in the right place” and creating magic? (Photo by John Gessner.)
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