Share
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Manage episode 515191358 series 2996022
Content provided by LAB111. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by LAB111 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
In collaboration with Eye Filmmuseum’s exhibition Ongoing, celebrating the singular career of Tilda Swinton, Hugo Emmerzael sits down with filmmaker, writer, and lifelong cinephile Mark Cousins — Swinton’s longtime collaborator and one of cinema’s great chroniclers.
Best known for The Story of Film and Women Make Film, which he created alongside Swinton, Cousins reflects on his wild years as a critic interviewing Hollywood legends in their homes, his boundless curiosity for the moving image, and how film endures as a universal language.
Get tickets to Caravaggio @ LAB111
125 episodes
))
