JOHNNY MNEMONIC (1995) Part 1 | Virtual Insanity: The Cyber Thrillers of 1995

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19d ago 1:35:12

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"I want to get online... I need a computer!"

For our Cinema Shock summer series, we wanted to take a look back at a few movies that were celebrating significant anniversaries this year. When we began browsing films released in 1995, we noticed an interesting trend: There was a glut of cyber thrillers released that year. And more specifically, cyber thrillers that dealt with the concept of virtual reality.

This probably shouldn't be surprising: 1995 was a banner year for technology; with the release of Windows 95 and the increasing availability of home internet, more people than ever were being connected to the World Wide Web. And as we know, Hollywood loves a trend. Enter: Virtual Insanity.

In this series, we'll be exploring some of the more significant films of this very specific subgenre, all of which are celebrating their 30th anniversary this year. Most of these films fell flat at the box office in 1995 but all have reached varying degrees of notoriety in the decades since.

Kicking things off, we're taking a look at JOHNNY MNEMONIC, possibly the strangest of the bunch. It's a film with a long, complex production history whose journey from page (in a short story by cyberpunk legend William Gibson) to screen was fraught with delays, difficulties and compromises.

In this, the first of two episodes detailing JOHNNY MNEMONIC's story, we'll establish just why cyber thrillers became a trend, how one of 1980s New York's most prominent visual artists came on board as the director, and how the vision for the film trasnformed from a low budget black-and-white art film into a nearly $30 million major studio production.

Next week: In Part 2 of our look at JOHNNY MNEMONIC, we'll detail the film's contentious post-production period, it's bungled release, and box office performance, as well as our own thoughts on the film and how its vision of the future is still relevant today.

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Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis.

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