An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
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Koko and the strange bird
MP3•Episode home
Manage episode 488092535 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
"Every place has a heartbeat, a beat all its own. As a songwriter, I try to echo the beauty and mystery which already exits.
"For the Koruse Beach field recording, I was immediately inspired by one little bird, whom I named Koko. What a wonderful eighth note rhythm he had in his song! At first, I tried to tame Koko by cutting his song into single chirps in order to manipulate them. But Koko sounded wrong, not like Koko. So, I knew I must be Koko. I grunted (not chirped, because chirping "like a bird" doesn't work) into the microphone, and raised the grunt an octave. I became the "strange bird" on beats two and four to join with Koko's natural song.
"There is nothing like a synthesizer to provoke images. Using a hesitant synth arpeggio, I urged the sound to become the pull and release of waves against a north country's shore. A piano melody joined the cacophony and brought the thrill and challenge of a new day just beginning.
"To honor Estonia's rich vocal heritage, I added a vocalization of the main melody. All the while Koko reappeared throughout my song, singing his soft staccato morning song by the sea. I let the field recording play to allow the chance encounters of the numerous bird calls interplay with the music. How lucky I was to hear the soaring sound of a seagull just as the song finished."
Koruse beach, Estonia reimagined by Anna Tynsky.
"For the Koruse Beach field recording, I was immediately inspired by one little bird, whom I named Koko. What a wonderful eighth note rhythm he had in his song! At first, I tried to tame Koko by cutting his song into single chirps in order to manipulate them. But Koko sounded wrong, not like Koko. So, I knew I must be Koko. I grunted (not chirped, because chirping "like a bird" doesn't work) into the microphone, and raised the grunt an octave. I became the "strange bird" on beats two and four to join with Koko's natural song.
"There is nothing like a synthesizer to provoke images. Using a hesitant synth arpeggio, I urged the sound to become the pull and release of waves against a north country's shore. A piano melody joined the cacophony and brought the thrill and challenge of a new day just beginning.
"To honor Estonia's rich vocal heritage, I added a vocalization of the main melody. All the while Koko reappeared throughout my song, singing his soft staccato morning song by the sea. I let the field recording play to allow the chance encounters of the numerous bird calls interplay with the music. How lucky I was to hear the soaring sound of a seagull just as the song finished."
Koruse beach, Estonia reimagined by Anna Tynsky.
688 episodes
MP3•Episode home
Manage episode 488092535 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
"Every place has a heartbeat, a beat all its own. As a songwriter, I try to echo the beauty and mystery which already exits.
"For the Koruse Beach field recording, I was immediately inspired by one little bird, whom I named Koko. What a wonderful eighth note rhythm he had in his song! At first, I tried to tame Koko by cutting his song into single chirps in order to manipulate them. But Koko sounded wrong, not like Koko. So, I knew I must be Koko. I grunted (not chirped, because chirping "like a bird" doesn't work) into the microphone, and raised the grunt an octave. I became the "strange bird" on beats two and four to join with Koko's natural song.
"There is nothing like a synthesizer to provoke images. Using a hesitant synth arpeggio, I urged the sound to become the pull and release of waves against a north country's shore. A piano melody joined the cacophony and brought the thrill and challenge of a new day just beginning.
"To honor Estonia's rich vocal heritage, I added a vocalization of the main melody. All the while Koko reappeared throughout my song, singing his soft staccato morning song by the sea. I let the field recording play to allow the chance encounters of the numerous bird calls interplay with the music. How lucky I was to hear the soaring sound of a seagull just as the song finished."
Koruse beach, Estonia reimagined by Anna Tynsky.
"For the Koruse Beach field recording, I was immediately inspired by one little bird, whom I named Koko. What a wonderful eighth note rhythm he had in his song! At first, I tried to tame Koko by cutting his song into single chirps in order to manipulate them. But Koko sounded wrong, not like Koko. So, I knew I must be Koko. I grunted (not chirped, because chirping "like a bird" doesn't work) into the microphone, and raised the grunt an octave. I became the "strange bird" on beats two and four to join with Koko's natural song.
"There is nothing like a synthesizer to provoke images. Using a hesitant synth arpeggio, I urged the sound to become the pull and release of waves against a north country's shore. A piano melody joined the cacophony and brought the thrill and challenge of a new day just beginning.
"To honor Estonia's rich vocal heritage, I added a vocalization of the main melody. All the while Koko reappeared throughout my song, singing his soft staccato morning song by the sea. I let the field recording play to allow the chance encounters of the numerous bird calls interplay with the music. How lucky I was to hear the soaring sound of a seagull just as the song finished."
Koruse beach, Estonia reimagined by Anna Tynsky.
688 episodes
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