Design Matters with Debbie Millman is one of the world’s very first podcasts. Broadcasting independently for over 15 years, the show is about how incredibly creative people design the arc of their lives. Hosted on Acast. See acast.com/privacy for more information.
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Misty transmutes
MP3•Episode home
Manage episode 473945241 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
"I got inspired of the original recording’s “rough” essence - the windy and rainy weather was dominant, along the noise of the people. For me, it reflects the ongoing change of the climate and amount of tourism which seem to change and grow hand in hand.
"Also the description of the original recording tells about capturing the sound of growing number of people in the misty forests of Fanal, Portugal.
Furthermore, parts the recording was cut out because of the strong wind. The final piece was then edited chronologically, which in a sense made the nature/climate to be the “main director” of the piece.
"This raises age-old philosophical questions: How much control do humans truly have - or how much of it is merely an illusion of man-made complex systems that are, in reality, just a small part of nature’s vast complexity? We understand only a fraction of nature—what happens if we stray too far from its ways? Will it” be the final director" that intervenes, cutting humanity’s delusional course to preserve and save itself?
"The piece is made only from the original recording by manipulating it mostly with a granular and spectral synthesis - slowly “droning and growing” in the background - and combining the “dry” primary track with a modified one to transform it into a soundscapey journey."
Laurisilva of Madeira soundscape reimagined by Jussi Alaraasakka.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
"Also the description of the original recording tells about capturing the sound of growing number of people in the misty forests of Fanal, Portugal.
Furthermore, parts the recording was cut out because of the strong wind. The final piece was then edited chronologically, which in a sense made the nature/climate to be the “main director” of the piece.
"This raises age-old philosophical questions: How much control do humans truly have - or how much of it is merely an illusion of man-made complex systems that are, in reality, just a small part of nature’s vast complexity? We understand only a fraction of nature—what happens if we stray too far from its ways? Will it” be the final director" that intervenes, cutting humanity’s delusional course to preserve and save itself?
"The piece is made only from the original recording by manipulating it mostly with a granular and spectral synthesis - slowly “droning and growing” in the background - and combining the “dry” primary track with a modified one to transform it into a soundscapey journey."
Laurisilva of Madeira soundscape reimagined by Jussi Alaraasakka.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
688 episodes
MP3•Episode home
Manage episode 473945241 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
"I got inspired of the original recording’s “rough” essence - the windy and rainy weather was dominant, along the noise of the people. For me, it reflects the ongoing change of the climate and amount of tourism which seem to change and grow hand in hand.
"Also the description of the original recording tells about capturing the sound of growing number of people in the misty forests of Fanal, Portugal.
Furthermore, parts the recording was cut out because of the strong wind. The final piece was then edited chronologically, which in a sense made the nature/climate to be the “main director” of the piece.
"This raises age-old philosophical questions: How much control do humans truly have - or how much of it is merely an illusion of man-made complex systems that are, in reality, just a small part of nature’s vast complexity? We understand only a fraction of nature—what happens if we stray too far from its ways? Will it” be the final director" that intervenes, cutting humanity’s delusional course to preserve and save itself?
"The piece is made only from the original recording by manipulating it mostly with a granular and spectral synthesis - slowly “droning and growing” in the background - and combining the “dry” primary track with a modified one to transform it into a soundscapey journey."
Laurisilva of Madeira soundscape reimagined by Jussi Alaraasakka.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
"Also the description of the original recording tells about capturing the sound of growing number of people in the misty forests of Fanal, Portugal.
Furthermore, parts the recording was cut out because of the strong wind. The final piece was then edited chronologically, which in a sense made the nature/climate to be the “main director” of the piece.
"This raises age-old philosophical questions: How much control do humans truly have - or how much of it is merely an illusion of man-made complex systems that are, in reality, just a small part of nature’s vast complexity? We understand only a fraction of nature—what happens if we stray too far from its ways? Will it” be the final director" that intervenes, cutting humanity’s delusional course to preserve and save itself?
"The piece is made only from the original recording by manipulating it mostly with a granular and spectral synthesis - slowly “droning and growing” in the background - and combining the “dry” primary track with a modified one to transform it into a soundscapey journey."
Laurisilva of Madeira soundscape reimagined by Jussi Alaraasakka.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
688 episodes
All episodes
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