Design Matters with Debbie Millman is one of the world’s very first podcasts. Broadcasting independently for over 15 years, the show is about how incredibly creative people design the arc of their lives. Hosted on Acast. See acast.com/privacy for more information.
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MP3•Episode home
Manage episode 474400214 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
"I grew up close to one of the biggest Catholic pilgrimage destinations in the world - I could never escape bells. I love the way they sound, the seemingly impossible rhythms and beatings they create, and the long ringings.
"I wanted to preserve those sounds and rhythms in some way, but at the same time reflect the wanton disregard with which we treat our past. I decided to use the sounds of the bells (however shaped, sliced, and mangled) but let them degrade and fall apart throughout the piece.
"In the end, I noticed that the voices captured in the square are at times more discernible than the much louder bells, and it sort of fits what I wanted to communicate.
"After listening to the source track for a while, I divided it up into phrases which I then split up into relatively long samples. All the sounds in the piece were built from these samples. I used some short slices and looped them so they could be played like a synthesiser.
"The arrangement was spread across a number of loops and machines. A couple of
sequences were recorded, with everything else played by hand.
"I recorded 4 takes to tape, and did some light mastering on my favourite.
Written, recorded, and mastered by Pedro Figueiredo.
Mtskheta bell ringing reimagined by Stray wool.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
Stray wool
"I wanted to preserve those sounds and rhythms in some way, but at the same time reflect the wanton disregard with which we treat our past. I decided to use the sounds of the bells (however shaped, sliced, and mangled) but let them degrade and fall apart throughout the piece.
"In the end, I noticed that the voices captured in the square are at times more discernible than the much louder bells, and it sort of fits what I wanted to communicate.
"After listening to the source track for a while, I divided it up into phrases which I then split up into relatively long samples. All the sounds in the piece were built from these samples. I used some short slices and looped them so they could be played like a synthesiser.
"The arrangement was spread across a number of loops and machines. A couple of
sequences were recorded, with everything else played by hand.
"I recorded 4 takes to tape, and did some light mastering on my favourite.
Written, recorded, and mastered by Pedro Figueiredo.
Mtskheta bell ringing reimagined by Stray wool.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
Stray wool
688 episodes
MP3•Episode home
Manage episode 474400214 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
"I grew up close to one of the biggest Catholic pilgrimage destinations in the world - I could never escape bells. I love the way they sound, the seemingly impossible rhythms and beatings they create, and the long ringings.
"I wanted to preserve those sounds and rhythms in some way, but at the same time reflect the wanton disregard with which we treat our past. I decided to use the sounds of the bells (however shaped, sliced, and mangled) but let them degrade and fall apart throughout the piece.
"In the end, I noticed that the voices captured in the square are at times more discernible than the much louder bells, and it sort of fits what I wanted to communicate.
"After listening to the source track for a while, I divided it up into phrases which I then split up into relatively long samples. All the sounds in the piece were built from these samples. I used some short slices and looped them so they could be played like a synthesiser.
"The arrangement was spread across a number of loops and machines. A couple of
sequences were recorded, with everything else played by hand.
"I recorded 4 takes to tape, and did some light mastering on my favourite.
Written, recorded, and mastered by Pedro Figueiredo.
Mtskheta bell ringing reimagined by Stray wool.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
Stray wool
"I wanted to preserve those sounds and rhythms in some way, but at the same time reflect the wanton disregard with which we treat our past. I decided to use the sounds of the bells (however shaped, sliced, and mangled) but let them degrade and fall apart throughout the piece.
"In the end, I noticed that the voices captured in the square are at times more discernible than the much louder bells, and it sort of fits what I wanted to communicate.
"After listening to the source track for a while, I divided it up into phrases which I then split up into relatively long samples. All the sounds in the piece were built from these samples. I used some short slices and looped them so they could be played like a synthesiser.
"The arrangement was spread across a number of loops and machines. A couple of
sequences were recorded, with everything else played by hand.
"I recorded 4 takes to tape, and did some light mastering on my favourite.
Written, recorded, and mastered by Pedro Figueiredo.
Mtskheta bell ringing reimagined by Stray wool.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
Stray wool
688 episodes
All episodes
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