An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
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Manage episode 483370359 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
"My composition “Skała” (which means rock) is based on a field recording from the Skała Choleric Jewish Cemetery in Pabianice, Poland. One might think what sounds could there be in a cemetery? Silence? Wind? Birds? When I first heard this field recording what I heard were the sounds of history. A very deep complicated history. Skała dates back to the 13th century, and the first Jews appeared settled there at the end of the 18th century.
"After the German army entered the town in September 1939, the Jewish community was immediately targeted with persecutions. And by the spring of 1941, an open ghetto of 3,000 Jews was established in Skała. In August 1942, some of them were deported to the Słomniki Ghetto, and then to the Bełżec extermination camp. The rest were murdered in the town or in local Jewish cemetery. It is with this historic background that I composed “Skała”.
"I was interested in the dual possibility of such a tragic history lying under the ground, while up above the peaceful sounds of silence, wind, and birds were in the air. This is my attempt to create a piece of music that would embody both realities. Electronic sounds relating to both worlds have been layered and woven together around the original field recording, to create a new way of thinking about this sacred place.
“The traces were still there. But time would slowly blur them and nothing would be left.” – Edgar Hilsenrath
Cemetery in Pabiance, Poland reimagined by Jeff Dungfelder.
"After the German army entered the town in September 1939, the Jewish community was immediately targeted with persecutions. And by the spring of 1941, an open ghetto of 3,000 Jews was established in Skała. In August 1942, some of them were deported to the Słomniki Ghetto, and then to the Bełżec extermination camp. The rest were murdered in the town or in local Jewish cemetery. It is with this historic background that I composed “Skała”.
"I was interested in the dual possibility of such a tragic history lying under the ground, while up above the peaceful sounds of silence, wind, and birds were in the air. This is my attempt to create a piece of music that would embody both realities. Electronic sounds relating to both worlds have been layered and woven together around the original field recording, to create a new way of thinking about this sacred place.
“The traces were still there. But time would slowly blur them and nothing would be left.” – Edgar Hilsenrath
Cemetery in Pabiance, Poland reimagined by Jeff Dungfelder.
688 episodes
Share
Manage episode 483370359 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
"My composition “Skała” (which means rock) is based on a field recording from the Skała Choleric Jewish Cemetery in Pabianice, Poland. One might think what sounds could there be in a cemetery? Silence? Wind? Birds? When I first heard this field recording what I heard were the sounds of history. A very deep complicated history. Skała dates back to the 13th century, and the first Jews appeared settled there at the end of the 18th century.
"After the German army entered the town in September 1939, the Jewish community was immediately targeted with persecutions. And by the spring of 1941, an open ghetto of 3,000 Jews was established in Skała. In August 1942, some of them were deported to the Słomniki Ghetto, and then to the Bełżec extermination camp. The rest were murdered in the town or in local Jewish cemetery. It is with this historic background that I composed “Skała”.
"I was interested in the dual possibility of such a tragic history lying under the ground, while up above the peaceful sounds of silence, wind, and birds were in the air. This is my attempt to create a piece of music that would embody both realities. Electronic sounds relating to both worlds have been layered and woven together around the original field recording, to create a new way of thinking about this sacred place.
“The traces were still there. But time would slowly blur them and nothing would be left.” – Edgar Hilsenrath
Cemetery in Pabiance, Poland reimagined by Jeff Dungfelder.
"After the German army entered the town in September 1939, the Jewish community was immediately targeted with persecutions. And by the spring of 1941, an open ghetto of 3,000 Jews was established in Skała. In August 1942, some of them were deported to the Słomniki Ghetto, and then to the Bełżec extermination camp. The rest were murdered in the town or in local Jewish cemetery. It is with this historic background that I composed “Skała”.
"I was interested in the dual possibility of such a tragic history lying under the ground, while up above the peaceful sounds of silence, wind, and birds were in the air. This is my attempt to create a piece of music that would embody both realities. Electronic sounds relating to both worlds have been layered and woven together around the original field recording, to create a new way of thinking about this sacred place.
“The traces were still there. But time would slowly blur them and nothing would be left.” – Edgar Hilsenrath
Cemetery in Pabiance, Poland reimagined by Jeff Dungfelder.
688 episodes
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Similar to Cities and Memory - remixing the world
An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
…
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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