Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Pleyel in the Old World (and the New)
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Manage episode 331935703 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Synopsis
Drop the name “Pleyel” among classical music aficionados and one might say, “Oh, yeah, Pleyel. He was a French piano maker. I think Chopin liked Pleyel pianos.” Another might add, “He was a composer, too, but … I don’t think he was really French…” Another might add, “Didn’t he have something to do with Haydn?”
Well, they’re all right. Ignace Joseph Pleyel was born near Vienna on today’s date in 1757. As a teenager, he became a pupil of Haydn, and in 1791, ended up in London, where, for a time, his orchestral concerts competed with Haydn’s. The two remained friends, however, dined together and attended each other’s concerts.
In 1795, Pleyel set up shop in Paris, where he founded a publishing house and piano factory. His own compositions remained enormously popular. In 1805, he travelled to Vienna, visited the aging Haydn and heard that young upstart Beethoven improvising at the piano.
In 1822, the whaling port of Nantucket, Massachusetts, formed a Pleyel Society ‘to chasten the taste of listeners,’ in the words of a local newspaper. According to the New Grove Dictionary of Music, “The most telling evidence of the appeal of Pleyel’s music lies in the thousands of manuscript copies that filled the shelves of archives, libraries, … and private homes, and in the thousands of editions of his music produced in Europe and North America.”
Music Played in Today's Program
Ignaz Pleyel (1757-1831): Symphony in G; London Mozart Players; Matthias Bamert, conductor; Chandos 9525
2673 episodes
MP3•Episode home
Manage episode 331935703 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Synopsis
Drop the name “Pleyel” among classical music aficionados and one might say, “Oh, yeah, Pleyel. He was a French piano maker. I think Chopin liked Pleyel pianos.” Another might add, “He was a composer, too, but … I don’t think he was really French…” Another might add, “Didn’t he have something to do with Haydn?”
Well, they’re all right. Ignace Joseph Pleyel was born near Vienna on today’s date in 1757. As a teenager, he became a pupil of Haydn, and in 1791, ended up in London, where, for a time, his orchestral concerts competed with Haydn’s. The two remained friends, however, dined together and attended each other’s concerts.
In 1795, Pleyel set up shop in Paris, where he founded a publishing house and piano factory. His own compositions remained enormously popular. In 1805, he travelled to Vienna, visited the aging Haydn and heard that young upstart Beethoven improvising at the piano.
In 1822, the whaling port of Nantucket, Massachusetts, formed a Pleyel Society ‘to chasten the taste of listeners,’ in the words of a local newspaper. According to the New Grove Dictionary of Music, “The most telling evidence of the appeal of Pleyel’s music lies in the thousands of manuscript copies that filled the shelves of archives, libraries, … and private homes, and in the thousands of editions of his music produced in Europe and North America.”
Music Played in Today's Program
Ignaz Pleyel (1757-1831): Symphony in G; London Mozart Players; Matthias Bamert, conductor; Chandos 9525
2673 episodes
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