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Wouldn't It Be Good (To Live in Their World?). Week 30: Cervantes' Don Quixote and Moliére's Tartuffe
Crack The Book: A Beginner's Guide to Reading the Great Books
Manage episode 514899019 series 3577554
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This week we pair two early-modern comedies that show how laughter can reveal truth. But first, we do a quick review of European history, looking at France, Spain, Italy and England, trying to place the things we're reading inside history. (I knew next to nothing about Spain at this time so it was really helpful for me!)
Cervantes’ Don Quixote (1605) introduces a middle-aged dreamer who decides to become a knight-errant, setting out with his baffled squire Sancho Panza to defend honor and right wrongs. The famous windmill scene is only the start of his misadventures. Quixote is absurd yet strangely noble—so devoted to his ideals that he reshapes reality around them. His neighbors burn his books, a shepherdess defends her independence, and somehow, amid the chaos, it’s all deeply human.
Molière’s Tartuffe (1664) offers lighter, sharper satire. The pious fraud Tartuffe charms his way into Orgon’s household, scheming for both wife and wealth while the women—wife, daughter, and maid—quietly outsmart him. The play’s snappy dialogue and quick pacing make it pure joy, right up until its too-neat royal ending.
Both works explore self-delusion and sincerity, showing how belief, hypocrisy, and humor can coexist. This week’s music—Spanish piano by Isaac Albéniz and Enrique Granados—was the perfect accompaniment: bright, bold, and unexpected.
We'll be back next week with a look at The Prince (Machiavelli) and The Social Contract (Rousseau). See you then!
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The complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2r
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