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Content provided by Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
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Lilo & Stitch: Deep Thoughts About Animation, Found Family, and...American Imperialism

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Manage episode 475834400 series 3493147
Content provided by Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

Send us a text

Ohana means family. Family means nobody gets left behind. Or forgotten.

In addition to dazzling her with its old-school hand-drawn animation and delighting her with its sweet and funny story, the 2002 Disney film Lilo & Stitch introduced Tracie to indigenous Hawaiʻian culture. The writing and directing team of Chris Sanders and Dean DeBlois traveled to Hawaiʻi for extensive artistic and cultural research and sought the input of native Hawaiʻians, including voice actor and friend of the show Tia Carrere, to write this story. The result is a touching tale of found family that echoes the colonialist history of Hawaiʻi.

Give Pudge his peanut butter sandwich and take a listen!

Mentioned in this episode:

The oral history of the film in Vulture: https://www.vulture.com/article/oral-history-of-lilo-and-stitch-a-hand-drawn-miracle.html

Iolani Palace: https://www.iolanipalace.org/

The blog Tracie wrote after her first visit has been unpublished. Check back and we’ll republish it when we find it.

This episode was edited by Resonate Recordings.

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

  continue reading

Chapters

1. Introduction to Lilo and Stitch (00:00:00)

2. Hawaiian Culture and Authentic Representation (00:09:37)

3. The Animation Style and Production Story (00:18:12)

4. Family Trauma and Government Intervention (00:29:47)

5. Imperialism and Cultural Commentary (00:35:38)

6. Gender Representation and Legacy (00:42:28)

92 episodes

Artwork
iconShare
 
Manage episode 475834400 series 3493147
Content provided by Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

Send us a text

Ohana means family. Family means nobody gets left behind. Or forgotten.

In addition to dazzling her with its old-school hand-drawn animation and delighting her with its sweet and funny story, the 2002 Disney film Lilo & Stitch introduced Tracie to indigenous Hawaiʻian culture. The writing and directing team of Chris Sanders and Dean DeBlois traveled to Hawaiʻi for extensive artistic and cultural research and sought the input of native Hawaiʻians, including voice actor and friend of the show Tia Carrere, to write this story. The result is a touching tale of found family that echoes the colonialist history of Hawaiʻi.

Give Pudge his peanut butter sandwich and take a listen!

Mentioned in this episode:

The oral history of the film in Vulture: https://www.vulture.com/article/oral-history-of-lilo-and-stitch-a-hand-drawn-miracle.html

Iolani Palace: https://www.iolanipalace.org/

The blog Tracie wrote after her first visit has been unpublished. Check back and we’ll republish it when we find it.

This episode was edited by Resonate Recordings.

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

  continue reading

Chapters

1. Introduction to Lilo and Stitch (00:00:00)

2. Hawaiian Culture and Authentic Representation (00:09:37)

3. The Animation Style and Production Story (00:18:12)

4. Family Trauma and Government Intervention (00:29:47)

5. Imperialism and Cultural Commentary (00:35:38)

6. Gender Representation and Legacy (00:42:28)

92 episodes

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