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S6E106 -From Mumford to Movement: Kristian Hill on Techno, Legacy, and Telling Detroit’s Truth

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Content provided by Detroit is Different. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Detroit is Different or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

“God said, give 'em drum machines—and see what happens.” That’s the dream Mike Huckaby shared, and it’s the heartbeat of God Said Give 'Em Drum Machines, the acclaimed documentary by Detroit filmmaker Kristian Hill that restores techno’s true story—deeply rooted in Black Detroit creativity, culture, and resilience. “We had a grocery store on Hastings Street. My grandfather ran numbers,” Hill recalls, grounding his storytelling in generations of Detroit legacy, from his grandmother Mabel White teaching home economics at Kettering and cooking for Aretha Franklin, to DJing with friends like Al Ester and parking cars outside Cheeks while legends like Jeff Mills and Stacey Hale spun inside. The film traces the untold journey of techno’s pioneers—Juan Atkins, Kevin Saunderson, Derrick May, Eddie Fowlkes, Blake Baxter, and Santonio Echols—as Hill and his team follow the music from Detroit to Amsterdam, Japan, South Africa, and even Nizhny Novgorod, Russia, where locals called it “the Detroit of Russia” and clubs pulsed with Detroit’s sound. “We got the stars,” Hill says, referring to the Belleville Three and others, “but nobody ever tells the story.” Fueled by years of footage and shaped in long, late-night edit sessions, the documentary is not only a cinematic reclaiming of techno’s Black roots but a personal odyssey of creative purpose. “It’s not just a link. It’s an experience,” Hill emphasizes, reminding audiences that this is more than a movie—it’s Detroit history set to a beat that moved the world.

Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.

Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher.

Comment, suggest and connect with the podcast by emailing [email protected]

  continue reading

444 episodes

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iconShare
 
Manage episode 477465381 series 2480569
Content provided by Detroit is Different. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Detroit is Different or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

“God said, give 'em drum machines—and see what happens.” That’s the dream Mike Huckaby shared, and it’s the heartbeat of God Said Give 'Em Drum Machines, the acclaimed documentary by Detroit filmmaker Kristian Hill that restores techno’s true story—deeply rooted in Black Detroit creativity, culture, and resilience. “We had a grocery store on Hastings Street. My grandfather ran numbers,” Hill recalls, grounding his storytelling in generations of Detroit legacy, from his grandmother Mabel White teaching home economics at Kettering and cooking for Aretha Franklin, to DJing with friends like Al Ester and parking cars outside Cheeks while legends like Jeff Mills and Stacey Hale spun inside. The film traces the untold journey of techno’s pioneers—Juan Atkins, Kevin Saunderson, Derrick May, Eddie Fowlkes, Blake Baxter, and Santonio Echols—as Hill and his team follow the music from Detroit to Amsterdam, Japan, South Africa, and even Nizhny Novgorod, Russia, where locals called it “the Detroit of Russia” and clubs pulsed with Detroit’s sound. “We got the stars,” Hill says, referring to the Belleville Three and others, “but nobody ever tells the story.” Fueled by years of footage and shaped in long, late-night edit sessions, the documentary is not only a cinematic reclaiming of techno’s Black roots but a personal odyssey of creative purpose. “It’s not just a link. It’s an experience,” Hill emphasizes, reminding audiences that this is more than a movie—it’s Detroit history set to a beat that moved the world.

Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.

Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher.

Comment, suggest and connect with the podcast by emailing [email protected]

  continue reading

444 episodes

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