Beyoncé’s ‘Cowboy Carter’ transmits joy, honours legends and challenges a segregated industry

Don’t Call Me Resilient

Content provided by Vinita Srivastava, The Conversation, Dannielle Piper, Krish Dineshkumar, Jennifer Moroz, Rehmatullah Sheikh, Kikachi Memeh, Ateqah Khaki, and Scott White. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Vinita Srivastava, The Conversation, Dannielle Piper, Krish Dineshkumar, Jennifer Moroz, Rehmatullah Sheikh, Kikachi Memeh, Ateqah Khaki, and Scott White or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

1y ago 40:44

MP3•Episode home

The release of Beyoncé’s new album, Cowboy Carter, was a much awaited event for a lot of us. There was much anticipation about this being a country album — and a lot of talk about the resistance some radio stations had and still have to that idea. That’s because country music is considered "white music," even though its Black historical roots are well documented. But Cowboy Carter is about so much more than country music. It honours other Black musical legends — and challenges the segregation we still see and hear in the music industry today. Vinita is joined by two experts to talk about it all. Alexis McGee is an Assistant Professor of Writing Studies at the University of British Columbia and author of "From Blues to Beyoncé: A Century of Black Women’s Generational Sonic Rhetorics." And Jada Watson is Assistant Professor of Digital Humanities at the School of Information Studies at the University of Ottawa. Her current research, called SongData, uses music industry data to examine representation in the country music industry.

88 episodes