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Content provided by Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eavesdropping at the Movies, Jose Arroyo, and Michael Glass or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
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421 - All of Us Strangers

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Manage episode 400587583 series 1952570
Content provided by Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eavesdropping at the Movies, Jose Arroyo, and Michael Glass or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Writer-director Andrew Haigh's romantic fantasy, All of Us Strangers, flows beautifully from scene to scene, inviting the audience to question the reality of what they're shown but seldom requiring them to - it's about the feeling it creates. It's a film about isolation, building and rebuilding connections, how the past reverberates, and in particular, experiences of growing up gay in the homophobic society of the 1980s. Its themes are universal and easily understood, but people who share those experiences will identify with it more closely than most. We discuss the complexity and natural feeling of the protagonist's conversations with his parents, who carry with them, alongside love for their son, those homophobic attitudes; the way scenes flow into each other; how letting go of those questions of what and how things are real allows us to get the most out of the film; and we ask those questions anyway. We also take the opportunity to revisit the ending of The Zone of Interest, discuss audiences proudly displaying their dislikes, and have another think about The Holdovers with that in mind. Recorded on 6th February 2024.
  continue reading

445 episodes

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iconShare
 
Manage episode 400587583 series 1952570
Content provided by Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eavesdropping at the Movies, Jose Arroyo, and Michael Glass or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Writer-director Andrew Haigh's romantic fantasy, All of Us Strangers, flows beautifully from scene to scene, inviting the audience to question the reality of what they're shown but seldom requiring them to - it's about the feeling it creates. It's a film about isolation, building and rebuilding connections, how the past reverberates, and in particular, experiences of growing up gay in the homophobic society of the 1980s. Its themes are universal and easily understood, but people who share those experiences will identify with it more closely than most. We discuss the complexity and natural feeling of the protagonist's conversations with his parents, who carry with them, alongside love for their son, those homophobic attitudes; the way scenes flow into each other; how letting go of those questions of what and how things are real allows us to get the most out of the film; and we ask those questions anyway. We also take the opportunity to revisit the ending of The Zone of Interest, discuss audiences proudly displaying their dislikes, and have another think about The Holdovers with that in mind. Recorded on 6th February 2024.
  continue reading

445 episodes

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