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439 - The Brutalist
Manage episode 463858647 series 1952570
Content provided by Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eavesdropping at the Movies, Jose Arroyo, and Michael Glass or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
We visit BFI Southbank for a 70mm screening of The Brutalist, Brady Corbet's epic period drama. It's a super-sized film - 215 minutes, not including the intermission - and it deserves a super-sized podcast, for which we're joined, as we occasionally are, by Mike's brother, Stephen, who's already seen the film once. It's an extraordinarily complex, subtle and absorbing film that draws on countless themes and parts of history in telling its story of a Hungarian Holocaust survivor and architect who escapes to America and finds a wealthy client enamoured with him. We dig in to the film's themes with breathless enthusiasm, and talk sex, racism, the immigrant experience, long takes, rape, capitalism, doing things for effect, art, aspiration, jealousy, the value of 70mm, and much more. José describes The Brutalist as his film of the year; Mike ponders whether he likes it more than the Robbie Williams monkey movie. Recorded on 28th January 2025.
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445 episodes
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Manage episode 463858647 series 1952570
Content provided by Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eavesdropping at the Movies, Jose Arroyo, and Michael Glass or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
We visit BFI Southbank for a 70mm screening of The Brutalist, Brady Corbet's epic period drama. It's a super-sized film - 215 minutes, not including the intermission - and it deserves a super-sized podcast, for which we're joined, as we occasionally are, by Mike's brother, Stephen, who's already seen the film once. It's an extraordinarily complex, subtle and absorbing film that draws on countless themes and parts of history in telling its story of a Hungarian Holocaust survivor and architect who escapes to America and finds a wealthy client enamoured with him. We dig in to the film's themes with breathless enthusiasm, and talk sex, racism, the immigrant experience, long takes, rape, capitalism, doing things for effect, art, aspiration, jealousy, the value of 70mm, and much more. José describes The Brutalist as his film of the year; Mike ponders whether he likes it more than the Robbie Williams monkey movie. Recorded on 28th January 2025.
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445 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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