Drag is a type of performance which uses clothing and makeup to imitate and often exaggerate female gender signifiers and gender roles. It's an activity with a long and varied history, and continues to be a very popular form of entertainment, as attested by TV shows such as Ru Paul's Drag Race. It's also distinctive in having faced criticism from several different political directions, including conservative, transgender and feminist perspectives. In this conversation with Simon Kirchin, who is Professor of Applied Ethics, Director of IDEA, The Ethics Centre and someone who has experience as a drag performer himself, we mainly focused on the feminist critique. The problem is that drag typically involves men (a relatively advantaged group) imitating women (a relatively disadvantaged group), in a way that plays on often offensive stereotypes about women, for entertainment. Described in that way, it seems uncomfortably similar to blackface, a form of entertainment which follows a very similar dynamic, at least superficially, on racial lines. Professor Kirchin thinks a moral difference between these two activities can be identified, though, and in the conversation he explains why.

You can read Simon's article on the topic here.

Ethics Untangled is produced by IDEA, The Ethics Centre at the University of Leeds.
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