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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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NEW YORK — COME TO BOUDU SAVED FROM DROWNING, ROUTINE PLEASURES, AND EXTENDED CLIP LIVE ON NOVEMBER 4TH AND 5TH AT THE BROOKLYN CENTER FOR THEATRE RESEARCH!!! https://www.eventbrite.com/e/extended-clip-live-tickets-1854585257429?aff=ebdsshcopyurl&utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp Today’s episode is on Pasolini’s great The Gospel According to Saint Matthew. We talked about the unique stylistic approach to a bible-thumping arthouse movie. Then, on Malcolm in the Middle, we chatted about Blue Moon, Bonehill Road, and After the Hunt. Send us your questions to be read on the air at [email protected] Get an extra episode every week for $5/mo at patreon.com/extended_clip
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