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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Chris and Alex are delighted to be joined for Episode 162 of the podcast by Muyang Zhuang (Assistant Professor at Tongji University), who is a specialist in Chinese cinema, media, and visual culture in East Asia, with a special focus on animation and cartoons. In this instalment, the trio discuss Shanghai Animation Film Studio’s Lotus Lantern (Chang Guangxi, 1999), a film based on Chinese folklore whose animated adaptation in the late-1990s comes in a long line of reworkings of this most famous of tales. Topics include the context of state-owned animated production in socialist and post-socialist China; the (trans)national style and aesthetic choices of Chang Guangxi’s film and the politics of its Westernisation; European vs. Chinese folklore, the figure of the trickster, and links between the film’s musical sequences and character; the complex market forces that have helped position Disney animation as China’s monstrous other; and why Lotus Lantern is considered a landmark in contemporary Chinese animation.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
246 episodes
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