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Nina Shekhar - Part 6
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For Good Measure, by Ensemble for These Times (E4TT)
Episode 111: Nina Shekhar - Part 6
Looking for a way to listen to diverse creators and to support equity in the arts? Tune in weekly to For Good Measure!
In this week’s episode, we talk to Nina Shekhar about concepts on form, memory, and trauma in her piece "Don't Beat a Word" and being a Composer-in-Residence for The Crossing and LA Chamber Orchestra. If you enjoyed today’s conversation and want to know more about Nina Shekhar, check her out here: https://www.ninashekhar.com/. This episode was originally recorded in December 2023.
This podcast is made possible in part by a grant from the California Arts Council and generous donors, like you. Want to support For Good Measure and E4TT? Make a tax-deductible donation or sign up for our newsletter, and subscribe to the podcast!
Intro music: “Trifolium” by Gabriela Ortiz, performed by E4TT (Ilana Blumberg, violin; Abigail Monroe, cello; Margaret Halbig, piano), as part of “Below the Surface: Music by Women Composers,” January 29, 2022
Outro music: “Lake Turkana” by Marcus Norris, performed by E4TT (Margaret Halbig, piano), as part of “Alchemy,” October 15, 2021
Transcription courtesy of Otter.ai.
Buzzsprout: https://www.buzzsprout.com/1903729/15258836a
Producer, Host, and E4TT co-founder: Nanette McGuinness
Co-producer and Audio Engineer: Stephanie M. Neumann
Podcast Cover Art: Brennan Stokes
Interns: Renata Volchinskaya, Sam Mason, Hannah Chen
Don't miss Ensemble for These Times' upcoming concert 'Mujeres Ahora' on May 9 at the Community Music Center, presented as part of the San Francisco International Arts Festival. For more information, go to www.E4TT.org.
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Chapters
1. Nina Shekhar - Part 6 (00:00:00)
2. You're the Sound Investment Composer for The Crossing and the Los Angeles Chamber Orchestra, which is a very cool title, and I'm very intrigued by it. Can you tell us what that involves? And how is it different from a "regular" Composer-in-Residence... (00:00:46)
3. Your piece "Don't Beat a Word" is very atmospheric, and it's got textures and percussive elements, it's even got vocal gasps, and they're all meant to be, if I understand correctly, "tangibly felt as much as the music is meant to be heard." So what was... (00:04:12)
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