Athena: goddess, shape-shifter, helper of heroes, fashion guru, patron deity of Athens and a bit of a daddy’s girl. She’s also one of the most elusive and puzzling characters in Greek mythology. In this episode, Mary and Charlotte ask who exactly is Athena? Is she a female role model for feminine power? More importantly, what exactly is a god in Greek mythology?

Part of Athena’s appeal is that she bucks the perception of Ancient Greece as inflexibly misogynistic. For Charlotte, discovering Athena as a girl was part of what drew her to the classical world. And, as Mary’s mother once said (to the young Mary): “If Athens was the kind of society you tell me it was in which women had no power,I don't understand why their patron deity was a goddess.” Many years later, Mary - and Charlotte - still struggle to answer this question, which is part of what makes her so enduringly fascinating.

In uncovering Athena’s story and contradictions, they also reveal the origins of the phrase ‘under the aegis’, where Nike shoes got their name from, and why - if Athena were around today - she’d probably be Mark Zuckerberg’s corporate guru.

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Mary and Charlotte recommend some further reading:

For the Greek texts and myths to which we refer:

Homer, The Odyssey, tr Emily Wilson, Norton, 2018

Homer, The Iliad, tr Emily Wilson, Norton, 2023

Aeschylus, Oresteia, in James Romm and Mary Lefkovitz, eds The Greek Plays, 2017 (a really useful anthology of 16 translations of Greek plays). The Eumenides which we discuss is the third play in Aeschylus’ trilogy on the murder of Agamemnon and its upshot. The title means ‘Kindly Ones’, a euphemism for the Furies who are pursuing Orestes for the mudder of his mother.

Timothy Gantz, Early Greek Myths, Johns Hopkins, 1996 (a mighty two-volume tome, for the serious student)

Charlotte Higgins, Greek Myths, Vintage, 2022

Susan Deacy, Athena, Routledge, 2008 discusses the overall character of the goddess.

On polytheism generally, L Bruit Zaidmann and P Schmitt Pantel, Religion in the Ancient Greek City, Cambridge 1992, is one of the clearest introductions (the full text is available online).

Instant Classics handmade by Vespucci

Producer: Jonty Claypole

Executive Producer: Natalia Rodriguez Ford

Video Editor: Jak Ford

Theme music: Casey Gibson

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