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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We’ve got a big one this week! It’s “The Repairer of Reputations” by Robert W. Chambers and Willow goes OFF. If you’re looking for her sources, here they are!
de Oliveira, Hugo Mendes. “An Empire of Delusion: The Process of Alienation as Expressed by Robert W. Chambers’ ‘The Repairer of Reputations.’” Thesis, Proquest Dissertations Publishing, 2021.
Emmert, S.D. (1999), A Jaundiced View of America: Robert W. Chambers and The King in Yellow. Journal of American Culture, 22: 39-44. https://doi.org/10.1111/j.1542-734X.1999.2202_39.x
Sulmicki, Maciej. “STUDIES IN MADNESS: REALITY AND SUBJECTIVITY IN ALAN MOORE’S PROVIDENCE, AMBROSE BIERCE’S “AN INHABITANT OF CARCOSA” AND ROBERT W. CHAMBERS’ “THE REPAIRER OF REPUTATIONS”.” (2019).
And the copy of the book I used was “The King In Yellow – Annotated Edition” with notes by Kenneth Hite.
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