198: The MCU: Munich Cinematic Universe, Part 1 (with Corey Atad)

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3M ago 1:39:02

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CW: This episode discusses cinematic sexual violence.

The film writer Corey Atad returns to the pod for a two-parter on Steven Spielberg’s 2005 masterpiece Munich, which turns 20 years old this year and yet has barely aged a day.

Spielberg starts the film with Black September’s terror attack on the Israeli team at the 1972 Munich Olympics and then follows a secret team of Israelis dispatched by their government to hunt down and kill 11 Palestinians around Europe said to have played a role in the massacre. But as their violent mission continues, Avner (Eric Bana) and his team start to doubt the nobility of their task as the compounding violence they commit corrodes their souls.

In this first episode, Corey and I discuss Spielberg as a master filmmaker at the height of his powers, the brilliant, clear-eyed screenplay by Tony Kushner and how a film understood to be a comment on the 9/11 attacks when first released can be seen better now as a film about the harsh truths of the Israel/Palestine conflict and the futility of fighting terrorism with counter-terrorism.

We contrast this look at Munich with another adaptation of the source material, the forgotten 1986 Canadian TV movie Sword of Gideon based on George Jonas’ 1984 non-fiction book Vengeance, a more openly Zionist interpretation of the text. And we discuss some of our favourite parts of Munich including the notorious sex scene!

Part two of this discussion is available on the Patreon feed: more about Munich and Sword of Gideon, the documentary One Day In September and an extended discussion of the new film about the Munich Olympics massacre, September 5.

Consider becoming a patron of the podcast to access this and dozens of exclusive bonus episodes for only $5 (US) a month! patreon.com/junkfilter

Follow Corey Atad on Twitter and visit coreyatad.com

Extended international trailer for Munich (Spielberg, 2005)

Commercial for Sword of Gideon (Michael Anderson, 1986)

A breakdown of one of the complex camera movements in Munich.

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