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TEASER - 205: A Woman in Trouble, Part 2: Hotline / In the Cut (with Jessica Ritchey)

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Manage episode 469693136 series 2832298
Content provided by Jesse Hawken. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jesse Hawken or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

Access this entire 70-minute episode (and additional monthly bonus shows) by becoming a Junk Filter patron for only $5.00 (US) a month! Over 30% of episodes are exclusively available to patrons of the show. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.patreon.com/posts/205-woman-in-2-123622191

In part two of our discussion about Looking for Mr. Goodbar, Jessica and I discuss Jane Campion’s 2003 “erotic thriller” In the Cut, savaged by critics on release for its graphic portrayal of a woman’s complex sexual desires in a dangerous New York City, also based on a best-selling novel.

It’s possible that In the Cut is Campion’s response to Mr. Goodbar, only directly from a woman’s perspective, and we talk about the sexist cruelty Meg Ryan was subjected to in the press for playing this role, and what Campion has to say about a woman’s sexuality amidst the violence of the patriarchy, and its implication of the NYPD as part of the problem, especially bold for a movie made in the wake of the 9/11 attacks.

We also discuss a fun TV movie that acts as a bridge between Mr. Goodbar and In the Cut, 1982’s Hotline, starring Lynda Carter as a young woman working at a crisis call center who finds herself playing a dangerous cat-and-mouse game with a serial killer, in a film that continually threatens to tip over into a TVM Giallo.

Follow Jessica Ritchey on Bluesky, and support her work on Patreon.

Hotline (Jerry Jameson, 1982) is available to watch for free on YouTube.

Trailer for In the Cut (Jane Campion, 2003)

  continue reading

197 episodes

Artwork
iconShare
 
Manage episode 469693136 series 2832298
Content provided by Jesse Hawken. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jesse Hawken or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

Access this entire 70-minute episode (and additional monthly bonus shows) by becoming a Junk Filter patron for only $5.00 (US) a month! Over 30% of episodes are exclusively available to patrons of the show. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.patreon.com/posts/205-woman-in-2-123622191

In part two of our discussion about Looking for Mr. Goodbar, Jessica and I discuss Jane Campion’s 2003 “erotic thriller” In the Cut, savaged by critics on release for its graphic portrayal of a woman’s complex sexual desires in a dangerous New York City, also based on a best-selling novel.

It’s possible that In the Cut is Campion’s response to Mr. Goodbar, only directly from a woman’s perspective, and we talk about the sexist cruelty Meg Ryan was subjected to in the press for playing this role, and what Campion has to say about a woman’s sexuality amidst the violence of the patriarchy, and its implication of the NYPD as part of the problem, especially bold for a movie made in the wake of the 9/11 attacks.

We also discuss a fun TV movie that acts as a bridge between Mr. Goodbar and In the Cut, 1982’s Hotline, starring Lynda Carter as a young woman working at a crisis call center who finds herself playing a dangerous cat-and-mouse game with a serial killer, in a film that continually threatens to tip over into a TVM Giallo.

Follow Jessica Ritchey on Bluesky, and support her work on Patreon.

Hotline (Jerry Jameson, 1982) is available to watch for free on YouTube.

Trailer for In the Cut (Jane Campion, 2003)

  continue reading

197 episodes

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