Search a title or topic

Over 20 million podcasts, powered by 

Player FM logo
Artwork

Content provided by Make it Stop: A Bad Music Podcast and Heather Mack; Mike Dunn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Make it Stop: A Bad Music Podcast and Heather Mack; Mike Dunn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Pat Boone - In A Metal Mood (w/ Ginny Nightshade and Mike D'Angelo)

1:52:48
 
Share
 

Manage episode 476124528 series 2554472
Content provided by Make it Stop: A Bad Music Podcast and Heather Mack; Mike Dunn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Make it Stop: A Bad Music Podcast and Heather Mack; Mike Dunn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

In the 1950s, wholesome whitebread protestants were terrified by the so-called "Race Records" of the likes of Little Richard, Charles Singleton and Nat King Cole. Enter Pat Boone, a palatable alternative to both black musicians and the gyrating hips of Elvis Presley. With his milquetoast covers of black artists' original compositions, Pat Boone quickly surged to superstardom, amassing millions of dollars, jumpstarting a career in film and television, and spreading the good word to his avowedly Christian Conservative audience. In 1997, at age 63, Boone decided to try his hand at an entirely new form of cultural appropriation by shedding his cardigan for a leather vest and choker, and recording In A Metal Mood: No More Mr. Nice Guy, an album of cover songs by the likes of Alice Cooper, Ronnie James Dio, Metallica, and his neighbor and friend Ozzy Osbourne. Mike D'Angelo and Ginny Nightshade of Old School Game Show join Heather and Mike to discuss this anomaly and its place in Boone's milieu. What exactly compels a Christian Conservative grandpa, birther and avowed homophobe to give a pass to the most Satanic genre? And is there any value to be found in an album made by such a wretched bigot? It's a long way to the top if you want to croon and crow. Part of the Pantheon Podcast Network.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

107 episodes

Artwork
iconShare
 
Manage episode 476124528 series 2554472
Content provided by Make it Stop: A Bad Music Podcast and Heather Mack; Mike Dunn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Make it Stop: A Bad Music Podcast and Heather Mack; Mike Dunn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

In the 1950s, wholesome whitebread protestants were terrified by the so-called "Race Records" of the likes of Little Richard, Charles Singleton and Nat King Cole. Enter Pat Boone, a palatable alternative to both black musicians and the gyrating hips of Elvis Presley. With his milquetoast covers of black artists' original compositions, Pat Boone quickly surged to superstardom, amassing millions of dollars, jumpstarting a career in film and television, and spreading the good word to his avowedly Christian Conservative audience. In 1997, at age 63, Boone decided to try his hand at an entirely new form of cultural appropriation by shedding his cardigan for a leather vest and choker, and recording In A Metal Mood: No More Mr. Nice Guy, an album of cover songs by the likes of Alice Cooper, Ronnie James Dio, Metallica, and his neighbor and friend Ozzy Osbourne. Mike D'Angelo and Ginny Nightshade of Old School Game Show join Heather and Mike to discuss this anomaly and its place in Boone's milieu. What exactly compels a Christian Conservative grandpa, birther and avowed homophobe to give a pass to the most Satanic genre? And is there any value to be found in an album made by such a wretched bigot? It's a long way to the top if you want to croon and crow. Part of the Pantheon Podcast Network.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

107 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Copyright 2025 | Privacy Policy | Terms of Service | | Copyright
Listen to this show while you explore
Play