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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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In A HOLOGRAM FOR THE KING (2016), Tom Hanks is a depressed American businessman trying to find himself in Saudi Arabia. It's the lamest fish-out-of-water self-actualization comedy/drama we've ever tackled! PLUS: We discuss Doug Ford's war on renters in Ontario, and - of course - address the news of Rush Hour 4. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus
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